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Bibliographia Humboldtiana Index

Bibliographia Humboldtiana

I. Publications by Humboldt Research Fellows from abroad

Aesthetics, art studies, musicology

Auner, Dr. Joseph H.

Tufts University, United States of America
Field of research: History of music
Host: Prof. Dr. Klaus Kropfinger Universität Kassel
  • Joseph H. Auner: Weighing, Measuring, Embalming Tonality: How we Became Phonometrographers. In: Tonality 1900-1950 - Concept and Practice. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 25 - 46.

Barnett, Prof. Dr. David Julian

University of York, United Kingdom
Field of research: Drama, dramatic art, theatre studies
Host: Dr. Erdmut Wizisla Akademie der Künste
  • David Julian Barnett: ‘I have to change myself instead of interpreting myself.’ Heiner Müller as Post-Brechtian Director‘. In: Contemporary Theatre Review. 20:1, 2010, p. 6 - 20 [Post-Brechtian performance aesthetics Heiner Müller Macbeth Der Lohndrücker].

  • David Julian Barnett: Brechtian Theory as Practice: The Berliner Ensemble stages Der Messingkauf in 1963. In: Theatre, Dance and Performance Training. 2:1, 2011, p. 4 - 17.

  • David Julian Barnett: Christoph Marthaler: The Musicality, Theatricality and Politics of Postdramatic Direction. In: Contemporary European Theatre Directors. (Ed. Delgado, Maria and Rebellato, Dan) Abingdon: Routledge, 2010, p. 185 - 203.

  • David Barnett: A History of the Berliner Ensemble. Cambridge: Cambridge University Press, 2015, 528 pp. [Berliner Ensemble, Brecht, GDR, theatre, dialectics, cultural policy, productions].

  • Prof. Dr. David Julian Barnett: Brecht in Practice: Theatre, Theory and Performance. London: Bloomsbury, 2014, 256 pp. [Bertolt Brecht, German theatre, political theatre].

Benoit-Otis, Prof. Dr. Marie-Helene

Universite de Montreal, Canada
Field of research: History of music
Host: Prof. Dr. Manuela Schwartz Fachhochschule Magdeburg
  • Marie-Helene Benoit-Otis: Eine Wiener Feier für den „deutschen Mozart“: Nationale Fragen bei der Mozart-Woche des Deutschen Reiches (1941). In: Inklusion & Exklusion. „Deutsche“ Musik in Europa und Nordamerika 1848-1945. (Ed. Yvonne Wasserloos, Sabine Mecking) Göttingen: V&R unipress, 2016, p. 253 - 270 [W.A. Mozart Third Reich Music propaganda].

  • Marie-Helene Benoit-Otis, Philippe Despoix: Mémoire musicale et résistance : Autour du "Verfügbar aux Enfers" de Germaine Tillion [special issue of the Revue musicale OICRM]. Montreal: Revue musicale OICRM, 2016, 188 pp. [Germaine Tillion Le Verfügbar aux Enfers Third Reich Music in concentration camps].

  • Marie-Hélène Benoit-Otis, Cécile Quesney: A Nazi Pilgrimage to Vienna? The French Delegation at the 1941 “Mozart Week of the German Reich”. In: The Musical Quarterly. 99, 2016, p. 6 - 59 [W.A. Mozart Third Reich Music propaganda].

Benson, Prof. Dr. Timothy O.

Los Angeles County Museum of Art, United States of America
Field of research: Art studies, art(s)
Host: Prof. Dr. Uwe Fleckner Universität Hamburg
  • Timothy O. Benson: Hans Richter: Encounters. New York : DelMonico/Prestel , 2013, 224 pp. [Modern Art, German Art, Dada, Film History, Media Studies, Constructivism, Abstract Art, Avant-Garde, German Expressionism, German Cinema].

  • Timothy O. Benson: Two Phases of European ’Internationalism’. In: Transnationality, Internationalism and Nationhood: European Avant-Garde in the First Half Of The 20th Century. (Ed. Hubert F. van den Berg, Lidia Głuchowska ) Leuven, Paris, Walpole, MA: Peeters, 2013, p. 1 - 21 [Modernism, Modern Art, National Identity, Nationalsim, German Studies, Dada, Central European Studies].

  • Timothy O. Benson: Kriegszeit: German Artists and the Great War. In: Max Liebermann: Art and International Modernism: An Artist's Career from Empire to Third Reich. (Ed. Marion Deshmukh, Barbara Gaehtgens, Francoise Forster-Hahn) New York: Berghahn Books, 2011, p. 171 - 184 [First World War, German Expressionism, German Studies, Media Studies, Avant-Garde, Modernism, Art History, German Art].

  • Timothy O. Benson: Brücke, French art and German national identity. In: New Perspectives on Brücke Expressionism: Bridging History. (Ed. Christian Weikop ) Surrey, UK and Burlington, VT: Ashgate, 2011, p. 31 - 55 [Nationalism, National Identity, Modern Art, Art History, German Art, Modernism, Avant-Garde, Cultural Transfer].

  • Timothy O. Benson: Central European Modernisms. In: The Oxford Handbook of Modernisms. (Ed. Peter Brooker, Andrzej Gasiorek, Deborah Parsons, Andrew Thacker ) Oxford and New York: Oxford University Press, 2010, p. 817 - 836 [Modern Art, National Identity, Nationalism, Central European Studies, Czech Art, Hungarian Art, Constructivism, German Art, Polish Art, German and Austrian Literature, Art Criticism].

  • Timothy O. Benson,Laird M. Easton, Claudine Grammont, Cathérine Hug, Georg Baselitz, Robert Menasse, Frauke Josenhans, Katherine Kuenzli, Peter Kropmanns, Magdalena M. Moeller, Sherwin Simmons.: Expressionismus in Deutschland und Frankreich: Von Matisse zum Blauen Reiter. Munich, London, New York: Prestel with the Kunsthaus Zurich, 2014, 304 pp. [ European History, Cultural Geography, European Studies, German Studies, Visual Studies, Art History, German History, Visual Culture, Abstract Art, Modern Art, German Expressionism, National Identity, Modernity, Cubism, Modernism, Avant-Garde,].

  • Timothy O. Benson (ed.): Expressionism in Germany and France: From Van Gogh to Kandinsky. New York: DelMonico/Prestel and The Los Angeles County Museum of Art, 2014, 296 pp. [German Studies, Art History, Modernism, Transnationalism, Politics and Culture, German Expressionism].

  • Timothy O. Benson (ed.): L’Expressionisme en Allemange et en France : de Van Gogh à Kandinsky. New York: DelMonico/Prestel with the Musée des beaux-arts de Montréal, 2014, 296 pp. [German Studies, Art History, Modernism, Transnationalism, Politics and Culture, German Expressionism].

Berger, Prof. Dr. Karol

Stanford University, United States of America
Field of research: General musicology
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Karol Berger: Der Dichter spricht: Der Karfreitagszauber und die Performanz der Interpretation. In: Ereignis und Exegese - Festschrift für Hermann Danuser zum 65. Geburtstag. (Ed. Camilla Bork, Tobias Robert Klein, Burkhard Meischein, Andreas Meyer, Tobias Plebuch) Schliengen: Edition Argus, 2011, p. 335 - 348.

Borio, Prof. Dr. Gianmario

Universita degli Studi di Pavia, Italy
Field of research: General musicology
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Gianmario Borio: Organische Form jenseits von Beethoven. Über die Neuorientierung der musikalischen Formenlehre in den 1920er- und 1930er-Jahren. In: Ereignis und Exegese - Festschrift für Hermann Danuser zum 65. Geburtstag. (Ed. Camilla Bork, Tobias Robert Klein, Burkhard Meischein, Andreas Meyer, Tobias Plebuch) Schliengen: Edition Argus, 2011, p. 149 - 167.

Cederquist, George


Field of research: Drama, dramatic art, theatre studies
Host: Mr John Dew Staatstheater Darmstadt
  • George Cederquist: Visible Music: Opera from the Theatre Director's Point of View. Evanston, Illinois, USA: Northwestern University Library, 2011, 89 pp. [Directing, Opera, Theatre, Music, Acting].

Celestini, Prof. Dr. Federico

Universität Innsbruck, Austria
Field of research: General musicology
Host: Prof. Dr. Albrecht Riethmüller Freie Universität Berlin
  • Federico Celestini: The Acoustic Proximity of Temporal Distance. Auratic Sonority in Mahler's "Lieder eines fahrenden Gesellen". In: Music as Social and Cultural Practice. Essays in Honour of Reinhard Strohm. (Ed. Melania Bucciarelli, Berta Joncus) Woodbridge: Bodydell & Brewer, 2007, p. 355 - 373 [Musicology, Gustav Mahler, Auratic Sound, Walter Benjamin].

  • Moritz Csáky, Federico Celestini, Ulrich Tragatschnig (Hrsg.): Barock - Ein Ort des Gedächtnisses. Köln, Weimar, Wien: Böhlau, 2007, 314 pp. [Barock, Kulturelles Gedächtnis, Walter Benjamin].

  • Federico Celestini: Zwischen Konvention und Ausdruck. Walter Benjamin und die Musik. In: Barock - Ein Ort des Gedächtnisses. (Ed. Moritz Csáky, Federico Celestini, Ulrich Tragatschnig) Köln, Weimar, Wien: Böhlau, 2007, p. 199 - 211 [Music Aesthetics, Walter Benjamin].

  • Federico Celestini: "Denkmäler italienischer Tonkunst": D'Annunzios Roman "Il fuoco" und die Mythologisierung alter Musik in Italien um 1900. In: Die Besetzung des öffentlichen Raumes. Politische Plätze, Denkmäler und Straßennamen im europäischen Vergleich. (Ed. Rudolf Jaworski, Peter Stachel) Berlin: Timme & Frank, 2007, p. 277 - 292 [D'Annunzio, Casella, Malipiero, Nietzsche].

  • Federico Celestini: Nietzsches Musikphilosophie. Paderborn: Wilhelm Fink GmbH & Co. Verlags-KG, 2016, 328 pp.

Crispin, Dr. Judith Michelle


Field of research: General musicology
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Judith Michelle Crispin: The Esoteric Legacy of Ferruccio Busoni. In: Music and Esotericism. (Ed. Laurence Wuidar) Amsterdam: Brill Publishing, 2010, p. 265 - 294 [Musicology, Western Esotericism, Hermeticism, Ferruccio Busoni, Magic Circles, Doktor Faust, Opera].

  • Judith Michelle Crispin (editor): Olivier Messiaen: The Centenary Papers. Newcastle: Cambridge Scholars Press, 2010, 335 pp. [Olivier Messiaen, musicology].

  • Judith Michelle Crispin: Messiaen’s Transcendent Angels and the Ten Duino Elegies of Rilke. In: Olivier Messiaen: the Centenary Papers. (Ed. Judith Michelle Crispin) Newcastle: Cambridge Scholars Press, 2010, p. 38 - 51 [Olivier Messiaen, Rainer Maria Rilke, Opera, Angels, Thomas Aquinas, Mysticism, Poetry, Musicology].

  • Judith Michelle Crispin: Introducing Larry Sitsky's New Ending for Ferruccio Busoni's Doktor Faust. In: Ereignis und Exegese - Festschrift für Hermann Danuser zum 65. Geburtstag. (Ed. Camilla Bork, Tobias Robert Klein, Burkhard Meischein, Andreas Meyer, Tobias Plebuch) Schliengen: Edition Argus, 2011, p. 539 - 551.

  • Dr. Judith Michelle Crispin: The myrrh-bearers. Sydney: Puncher and Wattmann, 2015, [Poetry].

De Benedictis, Dr. Angela Ida

Universita degli Studi di Pavia, Italy
Field of research: Musicology, music
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Angela Ida De Benedictis Veniero Rizzardi (eds): La nostalgia del futuro. Scritti scelti di Luigi Nono. Milano: Il Saggiatore, 2007, 350 pp. [Contemporary music Electronic music Aesthetics and compositional practice].

  • Angela Ida De Benedictis: Bruno Maderna. "Composizione n. 1". Edizione critica. Milano: Suvini Zerboni, 2007, 130 pp. [Critical edition].

  • Angela Ida De Benedictis: "Ausstrahlung", ou la texture brisé d'un hymne à la vie. In: Bruno Maderna. (Ed. Giordano Ferrari, Laurent Feneyrou, Genevieve Mathon) Paris: CNRS Paris I, 2007, p. 287 - 317 [Compositional practice Electronic music].

  • Angela Ida De Benedictis: Intervals at the service of dramaturgy: the conception of "character-rows" in "Intolleranza 1960" by Luigi Nono. In: L'écriture musicale et son expression scénique au XXe siècle. (Ed. Giordano Ferrari) Paris: L'Harmattan, 2007, p. 49 - 68 [Compositional practice Musical analysis].

  • Angela Ida De Benedictis: Opera aperta: teoria e prassi. In: Storia dei concetti musicali. Espressione, forma, opera. (Ed. Gianmario Borio, Carlo Gentili) Roma: Carocci, 2007, p. 317 - 334 [Music Aesthetics Theory and praxis].

  • Angela Ida De Benedictis Vincenzina Ottomano: Claudio Abbado alla Scala. Milano: Rizzoli, 2008, 333 pp.

  • Angela Ida De Benedictis (ed.): Presenza storica di Luigi Nono. Lucca: LIM, 2011, 271 pp.

  • Angela Ida De Benedictis Veniero Rizzardi (eds): Massimo Mila - Luigi Nono: "Nulla di oscuro tra noi". Carteggio 1952-1988. Milano: il Saggiatore, 2010, 365 pp.

  • Angela Ida De Benedictis: Toscanini e la radio, ovvero: dell'altra metà dell'etere. In: Arturo Toscanini. Il direttore e l'artista mediatico. (Ed. Marco Capra Ivano Cavallini) Lucca: LIM, 2011, p. 259 - 277 [Arturo Toscanini, radio, media].

  • Angela Ida De Benedictis: «Something intuitive»: Tōru Takemitsu’s relationship with the Western avant-gardes. In: Music Facing up to Silence: Writings on Tōru Takemitsu. (Ed. Gianmario Borio Luciana Galliano) Pavia: Pavia University Press, 2010, p. 159 - 176.

  • Angela Ida De Benedictis: „Intolleranza 1960“ von Luigi Nono - Wandlungen eines Librettos. In: Librettoübersetzung. Interkulturalität im europäischen Musiktheater. (Ed. H. Schneider R. Schmusch) Hildesheim-Zürich-New York: Georg Olms Verlag, 2009, p. 305 - 327.

  • Angela Ida De Benedictis: Bruno Maderna et le “Studio di Fonologia” de la RAI de Milan. In: A Bruno Maderna. (Ed. G. Ferrari L. Feneyrou G. Mathon) Paris: Basalte, 2009, p. 389 - 421.

  • Angela Ida De Benedictis: Azione e trasformazione: la riconquista di un’idea. Genesi drammaturgica e compositiva di “Intolleranza 1960”. In: Schweizer Jahrbuch für Musikwissenschaft. 28/29, 2010, p. 321 - 376 [Music Theater of the XXth century, Luigi Nono].

  • Angela Ida De Benedictis: Le nuove testualità musicali. In: La filologia musicale. Istituzioni, storia, strumenti critici (vol. II). (Ed. Maria Caraci Vela) Lucca: LIM, 2009, p. 71 - 116 [Music and technology].

  • Angela Ida De Benedictis Giorgio Mastinu: "Intolleranza 1960" a cinquant'anni dalla prima assoluta. Venezia: Marsilio, 2011, 313 pp.

Delaere, Prof. Dr. Mark

Katholieke Universiteit Leuven, Belgium
Field of research: Musicology, music
Host: Prof. Dr. Helga de la Motte-Haber Technische Universität Berlin
  • Mark Delaere: "Autant de compositeurs, autant de polytonalités différentes": Polytonality in French Music Theory and Composition of the 1920s. In: Tonality 1900-1950 - Concept and Practice. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 157 - 172.

Ehrhardt, Prof. Dr. Damien

Universite d'Evry - Val d'Essonne, France
Field of research: Musicology, music
Host: Prof. Dr. Detlef Altenburg Hochschule für Musik Franz Liszt Weimar
  • Damien Ehrhardt: Le salon de Liszt comme symbole du "Nouveau Weimar" (1848-1861). In: Mélodies urbaines. La musique dans les villes d'Europe (XVIe-XIXe siècles). (Ed. Laure Gauthier, Mélanie Traversier) Paris: Presses de l'Université Paris-Sorbonne, 2008, p. 221 - 239 [Musicology, Weimar, Liszt, concert].

  • Damien Ehrhardt: Liszt, figure de la médiation et de l'interculturalité. In: Etudes germaniques. 3, 2008.

  • Damien Ehrhardt: Liszt, médiateur entre la France et l’Allemagne. Vers une nouvelle théorie du champ et une histoire transculturelle de la musique. In: Etudes germaniques. 3, 2008.

  • Damien Ehrhardt: Les relations franco-allemandes et la musique à programme. 1830-1914. Lyon: Symétrie, 2009, 168 pp. [Programmusik, Deutsch-französische Beziehungen, Musik, Symphonische Dichtung, Chausson, Indy, Liszt, Berlioz, Kulturtransfer, Musikästhetik, Paris, Weimar].

  • Damien Ehrhardt: La guerre franco-prussienne, la fondation de la Societé nationale de Musique et l'appropriation de la musique allemande. In: War and Peace: the Role of Science an Art - Beiträge zur Politischen Wissenschaft, Band 159. (Ed. Soraya Nour Sckell, Olivier Remaud) Berlin: Duncker & Humblot, 2010, p. 165 - 174.

  • Damien Ehrhardt: Alexander von Humboldt et la musique. In: Beiträge zur Politischen Wissenschaft, Band 182: Le Soi et le Cosmos d´Alexander von Humboldt à nos jours. (Ed. Soraya Nour Sckell, Damien Ehrhardt) Berlin: Duncker & Humblot, 2015, p. 101 - 110.

Erickson, Prof. Dr. Raymond

Queens College, United States of America
Field of research: History of music
Host: Prof. Dr. Martin Petzoldt Universität Leipzig
  • Raymond Erickson: The Worlds of Johann Sebastian Bach. New York: Amadeus Press, 2009, 344 pp.

Filippi, Prof. Dr. Dr. Elena

Universita degli Studi di Ferrara, Italy
Field of research: Art history
Host: Prof. Dr. Hubertus Kohle Ludwig-Maximilians-Universität München (LMU)
  • Elena Filippi: L'inquietudine del sistema. Il sentimento della forma tra Wölfflin e Focillon (sulla "Grande Zolla di Dürer). In: Focillon e l'Italia - Focillon et l'Italie . (Ed. Anna Maria Ducci, Alice Thomine, Ranieri Varese) Firenze: Le Lettere Ed., 2007, p. 75 - 98.

  • Matthias Mende : Norimberga, Dürer, Roma,. In: Dürer e l'Italia, catalogue (Roma, Scuderie del Quirinale, 10 march-10 june 2007). (Ed. Kristina Hermann Fiore) Milano: Electa, 2007, p. 23 - 31 Original author: Matthias Mende (italian).

  • Elena Filippi: Die philosophische Frucht und ihr offenbares Geheimnis. In: De visione Dei. Vom Sehen zum Betrachten. Nikolaus von Kues. Ekkehard Welkens. 15 Meisterzeichnungen im Dialog mit Cusanus.. (Ed. Harald Schwaetzer, Kirstin Zeyer S. 35-38.) Regensburg: S. Roderer , 2007, p. 35 - 38 [Nikolaus von Kues; Theorie of vision; contemporary graphics].

  • Elena Filippi: Im Zeichen des Timaios: Cusanus, Alberti, Dürer. In: Das Europäische Erbe im Denken des Nikolaus von Kues. Geistesgeschichte als Geistesgegenwart.. (Ed. Harald Schwaetzer, Kirstin Zeyer) Münster: Aschendorff Verlag, 2008, p. 147 - 173 [Proportionslehre, Harmonielehre, alter deus-Begriff].

  • Elena Filippi: "Quasi pictor, qui diversos temperat colores, ut habeat sui ipsius imaginem". Zu Cusanus und Dürer. In: Das Europäische Erbe im Denken des Nikolaus von Kues. Geistesgeschichte als Geistesgegenwart.. (Ed. Harald Schwaetzer, Kirstin Zeyer) Münster: Aschendorff Verlag, 2008, p. 175 - 197 [Cusanus-Rezeption in Nürnberg, Nachahmung-Begriff, Porträtmalerei,Theorie des Humanismus.].

  • Elena Filippi: Umanesimo e misura viva. Cusano, Alberti, Dürer. S. Giovanni Lupatoto (VR): Arsenale EBS Editrice, 2011, 242 pp. [History of Art, Aesthetics, Renaissance Studies, Philosophy, Theology].

  • Elena Filippi: Denken durch Bilder. Albrecht Dürer als »philosophus«. Münster: Aschendorff Verlag, 2014, 342 pp. [Renaissance Studies, Philosophie, Aesthetics, Art History].

  • Elena Filippi, Stefan Hasler, Harald Schwaetzer: Raffaels Sixtinische Madonna. Eine Vision im Dialog. Münster: Aschendorff Verlag, 2013, 204 pp. [Art History, Renaissance Studies, Theology].

  • Elena Filippi, Stefan Hasler, Harald Schwaetzer: Raffaels Sixtinische Madonna. Eine Vision im Dialog. Münster: Aschendorff Verlag, 2012, 204 pp. [Art History, Renaissance Studies, Theology].

Flotzinger, Prof. Dr. Rudolf

Universität Graz, Austria
Field of research: General musicology
Host: Prof. Dr. Heinrich Husmann Georg-August-Universität Göttingen
  • Rudolf Flotzinger: Von Leonin zu Perotin - Der musikalische Paradigmenwechsel in Paris um 1210. Bern: Peter Lang, 2007, 504 pp.

Fowler, Dr. Michael David

Universität der Künste Berlin, Germany
Field of research: Musicology, music
Host: Prof. Dr. Stefan Weinzierl Technische Universität Berlin
  • Michael David Fowler: On Listening in a Future City. In: Grey Room . 42, 2011, p. 22 - 45 [architectural theory, acoustic ecology].

  • Michael David Fowler: SOUND WORLDS OF JAPANESE GARDENS. Bielefeld: Transcript Verlag, 2014, 218 pp.

Grewe, Dr. Cordula

University of Pennsylvania, United States of America
Field of research: Art of the 19th and 20th century
Host: Prof. Dr. Frank Büttner Ludwig-Maximilians-Universität München (LMU)
  • Cordula Grewe: The Nazarenes - Romantic Avant-Garde and the art of the concept. Pennsylvania: The Pennsylvania State University Press, 2015, 380 pp.

Groves, M.A. Rebecca

Kramlich Collection, United States of America
Field of research: Drama, dramatic art, theatre studies
Host: Mr William Forsythe The Forsythe Company
  • Rebecca Groves, Scott deLahunta, Norah Zuniga-Shaw: Talking About Scores: William Forsythe's Vision for a New Form of "Dance Literature". In: Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. (Ed. Sabine Gehm, Pirkko Husemann, Katharina von Wilcke) Bielefeld: Transcript Verlag, 2007, p. 91 - 100 [contemporary dance, art and technology, performance, choreography, research in the arts].

  • Rebecca Groves: William Forsythe and the Practice of Choreography: It Starts from Any Point (review). In: Dance Research Journal. 44.2, 2012, p. 117 - 121 [contemporary dance, choreography, research in the arts, performance, William Forsythe, ballet].

  • Rebecca Groves: The Theatre of Socìetas Raffaello Sanzio (review). In: Modern Drama. 52.2, 2009, p. 238 - 240 [Italian theater, performance, Romeo Castellucci, theater studies, contemporary art].

  • Rebecca Groves: Essay zur Ausstellung 'about subtraction -- choreographic objects'. In: Pélerinages: Kunstfest Weimar, Wagner Idyll. (Ed. Nike Wagner) Weimar: Kunstfest Weimar, 2013, p. 163 - 171 [contemporary art, art exhibition, William Forsythe, installation art, choreography, dance, research in the arts].

Höfler, Prof. Dr. Janez

, Slovenia
Field of research: Art from the Middle Ages up to the 18th century
Host: Prof. Dr. Frank Büttner Ludwig-Maximilians-Universität München (LMU)
  • Janez Höfler: Der Meister E. S.: Ein Kapitel europäischer Kunst des 15. Jahrhunderts I: Textband; II: Tafelband. Regensburg: Verlag Schnell & Steiner GmbH, 2007, 348 + 186 pp. [Meister E. S.; Druckgraphik; Malerei, Skulptur, Kunstgewerbe; 15. Jahrhundert.].

Iamanidze, Dr. Dr. Nina

George Chubinashvili National Research Centre for Georgian Art History and Heritage Preservation, Georgia
Field of research: Byzantine art
Host: Prof. Dr. Falko Daim Römisch-Germanisches Zentralmuseum (RGZM)
  • Nina Iamanidze: Saints cavaliers. Wiesbaden: Dr. Ludwig Reichert Verlag, 2016, 188 pp.

Jackson, Mark

San Francisco State University, United States of America
Field of research: Drama, dramatic art, theatre studies
Host: Mr Günther Grosser ENGLISH THEATRE BERLIN
  • Mark Jackson: TEN PLAYS. San Francisco: EXIT Press, 2010, 492 pp. [Theater. Plays. Adaptations. New plays.].

  • Mark Jackson: TEN PLAYS. San Francisco, USA: Exit Press, 2010, 492 pp. [plays, drama, theater].

Jobez, Dr. Romain

Universite de Poitiers, France
Field of research: History of theatre, theatre history
Host: Prof. Dr. Ulrike Haß Ruhr-Universität Bochum
  • Romain Jobez: Le théâtre baroque allemand et français. Le droit dans la littérature. Paris: Garnier, 2010, 589 pp. [Études théâtrales. Trauerspiel. Tragédie baroque silésienne. Walter Benjamin. Law and literature studies.].

  • Romain Jobez: „,Bodies that splatter' - Shakespeare sur la scène allemande de la première modernité". In: Corps sanglants, souffrants et macabres. (Ed. Kjerstin Aukrust, Charlotte Bouteille-Meister) Paris: Presses Sorbonne Nouvelle, 2010, p. 215 - 226 [Études théâtrales. Théâtre baroque. Shakespeare studies.].

  • Romain Jobez: „Le partage des sensibilités. L'évolution du roman en Allemagne et ses modèles français au milieu du XVIIIe siècle à travers l'exemple de Gellert et Pfeil“. In: Ferments d'ailleurs. Transferts culturels entre Lumières et romantisme. (Ed. Denis Bonnecase, François Genton) Grenoble: Ellug, 2010, p. 213 - 228 [Études dix-huitièmistes. Roman. Transferts culturels franco-allemands. Eighteenth century studies.].

Katritzky, Dr. M. A.

Open University, United Kingdom
Field of research: History of theatre, theatre history
Host: Prof. Dr. Christopher Bryan Balme Ludwig-Maximilians-Universität München (LMU)
  • M. A. Katritzky: Women medicine and theatre 1500-1750, literary mountebanks and performing quacks. Aldershot: Ashgate, 2007, xvi & 368 pp. [English and comparative literature Early modern studies Theatre history medical history gender studies cultural history].

  • M. A. Katritzky: Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. (Ed. Fischer-Lichte, Erika; Kasten, Ingrid) Berlin: de Gruyter, 2007, [theatre history medieval mystery plays medical history German and comparative literature].

Kiss, Dr. habil. Gabriella

Gaspar Karoli University of the Hungarian Reformed Church, Hungary
Field of research: General theatre studies
Host: Prof. Dr. Erika Fischer-Lichte Freie Universität Berlin
  • Gabriella Kiss: Das lachende Gesicht der ungarischen Theatertradition: Momentaufnahmen (ungarisch). Budapest: Lalassi Kiado, 2011, 231 pp.

Lobanova, Dr. Marina

, Germany
Field of research: Musicology, music
Host: Prof. Dr. Constantin Floros Universität Hamburg
  • Marina Lobanova: "Ėkstaz" i "bezumie": osobennosti dionisijskogo mirovosprijatija A. N: Skrjabina [Ekstase und Wahnsinn. Merkmale der Dionysischen Welterfahrung bei Alexander Skrjabin]. In: Voprosy filosofii . 3, 2007, p. 159 - 170.

  • Marina Lobanova: "Ėkstaz" i "bezumie": osobennosti dionisijskogo mirovosprijatija A. N: Skrjabina [Ekstase und Wahnsinn. Merkmale der Dionysischen Welterfahrung bei Alexander Skrjabin]. In: A. N. Skrjabin v prostranstvach kul’tury XX veka [A. N. Skrjabin in den kulturellen Räumen des 20. Jahrhunderts] . (Ed. Aleksandr Skrjabin) Moskau, 2008, p. 12 - 23.

  • Marina Lobanova: Trojka, semёrka, tuz (k poėtiki "Pikovoj damy" P. I. Čajkovskigo) [Drei, Sieben, As. Zu der Oper "Pique Dame" von Pjotr Iljitsch Čajkovskij]. In: Naučno-analitičeskij žurnal „Dom Burganova“. Prostranstvo kul’tury . 1, 2010, p. 163 - 179.

  • Marina Lobanova: [Fragebogen der M. V. Judina-Stiftung zur Entwicklung zeitgenössischer Kunst]. In: in: Nevel’skij sbornik [Newel-Sammlung], Bd. 12. . St. Petersburg , 2007.

  • Marina Lobanova: [Fragebogen der M. V. Judina-Stiftung zur Entwicklung zeitgenössischer Kunst]. In: Vspominaja Judinu [Sich an Judina erinnernd]. (Ed. Anatolij Kuznecov) Moskau , 2008, p. 268 - 270.

Lomtev, Dr. Denis

Hochschule für Management zu Moskau, Russian Federation
Field of research: History of music
Host: Dr. Jürgen Warmbrunn Herder-Institut e.V. (HI)
  • Denis Lomtev: Die Deutschen in der russischen Musikwissenschaft. Lage, Germany: BMV Verlag Robert Burau, 2008, 166 pp.

  • Denis Lomtev: Deutsche in der musikalischen Infrastruktur Russlands. Lage (Westf.): BMV Verlag Robert Burau, 2012, 264 pp. [Deutsche; Russland; Infrastruktur; Verlagswesen; Musikvereine; Musikinstrumentenbau].

  • Denis Lomtev: Karl Wirths Notizbücher: Ideenwelt eines Musikinstrumentenbauers. Teil 1 - Faksimile; Teil 2 - Transkription. München: Deutsches Museum, 2014, 167, 106 pp. [Musikinstrumentenbau; deutsch-russische Beziehungen; Klavier; Orgel].

  • Dr. Denis Lomtev: Ella von Schultz-Adaiewsky: Morgenröte der Freiheit. Lage (Westf.): BMV Verlag Robert Burau, 2015, 194 pp.

Longo-Endres, Prof. Dr. Lucia

Universita degli Studi di Trento, Italy
Field of research: Art history
Host: Prof. Dr. Wolf Tegethoff Zentralinstitut für Kunstgeschichte
  • Lucia Longo Endres: Antonio Domenico Triva. Un artista tra Italia e Baviera. Bologna: Patron Editore, 2008, 319 pp. [Storia dell'Arte Moderna].

  • Lucia Longo Endres: I Sette Rifugi santi, un’opera di Antonio Triva per il duomo di Monaco di Baviera. In: Studi Trentini di Scienze Storiche Sezione Seconda. 87, 2008, p. 87 - 101 [Storia Arte Moderna].

  • Lucia Longo Endres: Baldassare Pistorini als Panegyriker am kurbayerischen Hof. In: Justus Lipsius und der europäische Späthumanismus in Oberdeutschland. (Ed. Alois Schmid) München: Beck, 2008, p. 75 - 100 [Kunstgeschichte der Neuzeit].

  • Lucia Longo Endres: Wertediskussion in entfernten Ländern: Der Freundschaftsbegriff bei Martino Martini. In: Bayerisch-chinesische Beziehungen in der Frühen Neuzeit. (Ed. P. C. HARTMANN, A. SCHMID ) München: Beck, 2008, p. 75 - 100 [Kunstgeschichte der Neuzeit].

Mirka, Prof. Danuta

University of Southampton, United Kingdom
Field of research: Theory of music
Host: Prof. Dr. Ludwig Holtmeier Staatliche Hochschule für Musik Freiburg im Breisgau
  • Danuta Mirka and Kofi Agawu (eds.): Communication in Eighteenth-Century Music. Cambridge: Cambridge University Press, 2008, 345 pp. [eighteenth-century music, music analysis, musical communication, topics, meter, phrase structure, dance].

  • Danuta Mirka: Metre, phrase structure and manipulations of musical beginnings. In: Communication in Eighteenth-Century Music. (Ed. Danuta Mirka and Kofi Agawu) Cambridge: Cambridge University Press, 2008, p. 83 - 111 [meter, phrase structure, historical music theory, Haydn, Mozart].

  • Danuta Mirka: Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791. New York: Oxford University Press, 2009, 332 pp. [theory of rhythm and meter, metric perception, historical music theory, music cognition, Haydn, Mozart, string chamber music, humorous music, topics].

  • Danuta Mirka: Vorwärts hören – rückwärts hören: Zur Wahrnehmung metrischer Irregularitäten in Streichquartetten Joseph Haydns. In: Musiktheorie an ihren Grenzen: Neue und Alte Musik.. (Ed. Angelika Moths) Bern: Peter Lang, 2009, p. 409 - 418 [historical music theory, music cognition, hypermeter, Haydn's string quartets].

Mirzaeva, Dr. Mukhayyo

Frauenbildungszentrum, Uzbekistan
Field of research: Art education
Host: Prof. Dr. Georg Peez Johann Wolfgang Goethe-Universität Frankfurt am Main
  • Mukhayyo Mirzaeva: Kulturelle Bildung in Usbekistan (Vergleichstudien zwischen einem postsowjetischem Land und Deutschland). In: BDK Mitteilungen /Fachzeitschrift des BDK Fachberband für Kunstpädagogik/. 1, 2009, p. 20 - 23 [Kunstschule, Ästhetische Praxis, Außerschulische kulturelle Bildung].

Neidhöfer, Prof. Dr. Christoph

McGill University, Canada
Field of research: Theory of music
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Christoph Neidhöfer: Atonalität und Transformational Analysis: Zu einigen verborgenen (und nicht so verborgenen) Strukturen in Schönbergs Klavierstück op. 11,3. In: Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz, Berlin. 2009, p. 51 - 71 [music of the 20th century, atonal music, musical modernism, transformational analysis, compositional process, Schönberg, Klavierstück op. 11, 3].

  • Christoph Neidhöfer: "Berio at Work: Compositional Procedures in Circles, O King, Concerto for Two Pianos, Glossa, and Notturno". In: Luciano Berio: Nuove Prospettive / New Perspectives. (Ed. Angela Ida De Benedictis) Florence: Leo S. Olschki, 2012, p. 195 - 233 [Musical analysis, sketch studies, musical serialism, Darmstadt School].

November, Prof. Dr. Nancy Rachel

University of Auckland, New Zealand
Field of research: General musicology
Host: Prof. Dr. Bettina Schlüter Rheinische Friedrich-Wilhelms-Universität Bonn
  • Nancy Rachel November: Performance Traditions and Beethoven’s String Quartets: Setting the Record Crooked . In: Journal of Musicological Research . 30, 2011, p. 1 - 22 [Recording history, string quartets, Beethoven].

  • Nancy Rachel November: Commonality and Diversity in Recordings of Beethoven’s Middle Period String Quartets . In: Performance Practice Review . 15, 2010, p. 1 - 11 [Performance practice, recording history, Beethoven, string quartet].

  • Nancy Rachel November: Music in Context. Beethoven's Theatrical Quartets. Opp. 59, 74 and 95. Cambridge University Press, 2013, 282 pp.

Okoye, Prof. Dr. Chukwuma L.

University of Ibadan, Nigeria
Field of research: General theatre studies
Host: Prof. Dr. Dymitr Ibriszimow Universität Bayreuth
  • Chukwuma Okoye: Technologies of Faith Performance: Theatre/Performance and Pentecostalism in Africa. In: African Performance Review. 1, 1, 2007, p. 80 - 95 [Pentecostalism, Theatre and Performance, Faith, Nigeria, Christ Embassy.].

  • Chukwuma Okoye: Posting the Agenda in African Women's Writing: Gender and the Postcolonial Condition in Promise Okekwe's Novels. In: Gender and Sexuality in African Literature and Film.. (Ed. A. U. Azodo, Maureen N. Eke) New Jersey: Africa World Press, 2007, p. 57 - 71 [Postcolonial Condition, Sexuality, African Women's Writing, Gender.].

  • Chukwuma Okoye: History and the Nation Imagination: Igbo and the Videos of Nationalism. In: Postcolonial Text.. 3, 1, 2007, p. http://postcolonial.org [Identity, Nationalism, History, Film].

  • Chukwuma Okoye: On Achebe¿s Ilo: Power/Knowledge and Resistance in Bandele's "Things Fall Apart.". In: Safara: Revue Internationale de Langues, Littératures et Cultures. 6, 2007, p. 1 - 15 [Postcolonial Resistance, Embodiment, Colonial Power/Knowledge.].

Owens, Dr. Samantha

Victoria University of Wellington, New Zealand
Field of research: History of music
Host: Prof. Dr. Peter Wollny Bach-Archiv Leipzig
  • Samantha Owens, Janice B. Stockigt, and Barbara M. Reul: Music at German Courts, 1715–1760: Changing Artistic Priorities. Woodbridge, Suffolk: The Boydell Press, 2011, 484 pp. [German baroque court music historical musicology].

  • Samantha Owens: The Court of Württemberg-Stuttgart. In: Music at German Courts, 1715–1760: Changing Artistic Priorities. (Ed. Samantha Owens, Janice B. Stockigt, and Barbara M. Reul) Woodbridge, Suffolk: The Boydell Press, 2011, p. 165 - 196 [German baroque court music Wuerttemberg].

  • Samantha Owens and Barbara M. Reul: ‘Das gantze Corpus derer musicirenden Personen’: An Introduction to German Hofkapellen. In: Music at German Courts, 1715–1760: Changing Artistic Priorities. (Ed. Samantha Owens, Janice B. Stockigt, and Barbara M. Reul) Woodbridge, Suffolk: The Boydell Press, 2011, p. 1 - 14 [German baroque court music Hofkapellen].

  • Samantha Owens: Johann Sigismund Cousser (Kusser): a “European” in early eighteenth-century England and Ireland. In: Händel-Jahrbuch. 56, 2010, p. 445 - 467 [Cousser Kusser Handel historical musicology German baroque musicians].

  • Samantha Owens: ’Not always the same minuets’: Dance at the Württemberg court, 1662–1711. In: The court historian. 15, 2010, p. 133 - 144 [German baroque court ballet Wuerttemberg].

  • Samantha Owens: Johann Sigismund Kusser, Adonis. Middleton, Wisconsin: A-R Editions, 2009, 280 pp. [German baroque opera].

  • Samantha Owens: Johann Sigismund Cousser, William III and the Serenata in Early Eighteenth-Century Dublin. In: Eighteenth-century music. 6, 2009, p. 7 - 39 [German British court music Ireland Cousser Kusser].

  • Samantha Owens: The Well-Travelled Musician: John Sigismond Cousser & Musical Exchange in Baroque Europe. Woodbridge, Suffolk: Boydell Press, 2017, 401 pp.

  • Samantha Owens: “‘The Above Mentioned Aliens’: Rudolf Mersy’s German Band in New Zealand, 1913–19. In: Musicology Australia . 39, 2017, p. 1 - 14.

  • Samantha Owens: Music via Correspondence: A List of the Music Collection of Dresden Kreuzorganist Emanuel Benisch. In: Understanding Bach . 11, 2016, p. 39 - 56.

  • Samantha Owens: ‘The Greatest Choral Work That Has Ever Been Written’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945. In: Understanding Bach. 9, 2014, p. 75 - 86.

  • Samantha Owens: Theodor Schwartzkopff and French Music at the Court of Württemberg-Stuttgart in the 1680s. In: Musik in Baden-Württemberg Jahrbuch. 20, 2013, p. 31 - 43.

  • Samantha Owens: Robert Dalley-Scarlett (1887–1959) and Handel Reception in Australia between the World Wars. In: Musicology Australia. 34, 2012, p. 165 - 183.

  • Samantha Owens: ‘Er kan zum Muster dienen’: Kapellmeister Johann Sigismund Kusser and the Performance Materials for the Opera Adonis. In: Transformationen und Metamorphosen. Bericht über die Symposien der Internationalen Händel-Akademie Karlsruhe 2011 bis 2013. (Ed. Thomas Seedorf ) Laaber: Laaber Verlag, 2017, p. 53 - 69.

  • Samantha Owens: Theatre and Stage. In: Early Modern Emotions: An Introduction. (Ed. Susan Broomhall ) Abingdon, UK: Routledge, 2017, p. 228 - 230.

  • Samantha Owens: The “Hunting Song” in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube. In: Zerbst zur Zeit Faschs – ein anhaltinischer Musenhof. (Ed. Bert Siegmund, Barbara M. Reul) Beeskow: Ortus Verlag, 2016, p. 219 - 228.

  • Samantha Owens: ‘Serious Music’: The Brisbane Reception of Percy Grainger’s Historical Chamber Music Recitals (1934). In: Grainger the Modernist. (Ed. Suzanne Robinson, Kay Dreyfus) Farnham, Surrey: Ashgate, 2015.

  • Samantha Owens: ‘Just as Great as Noverre’: The Ballet Composer Florian Johann Deller (1729–73) and Music at the Württemberg Court. In: Jean-Georges Noverre 1727–1810: Lettres sur la Danse, and Beyond,. (Ed. Michael Burden, Jennifer Thorpe) Stuyvesant, NY: Pendragon Press, 2014, p. 21 - 36.

  • Samantha Owens, Janice B. Stockigt: Haydn’s Creation ‘Shamelessly Mangled’ in Melbourne: Joseph Summers and a Musical Libel Action against the Age (1893). In: A Musicological Gift: Libro Homenaje for Jane Morlet Hardie. (Ed. Kathleen Nelson, Maricarmen Gómez) Lions Bay, BC: Institute of Mediaeval Music, 2013, p. 255 - 282.

Ozerkov, Dr. Dmitry

State Hermitage Museum, Russian Federation
Field of research: Art history
Host: Prof. Dr. Martin Roth Staatliche Kunstsammlungen Dresden
  • Dimitri Ozerkov: La bibliothèque d’architecture de Catherine II. Premières observations. In: Bibliotheques d’architecture. Architectural libraries. (Ed. Olga Medvedkova) Paris, 2009: INHA / Alain Baudry et Cie, 2009, p. 183 - 210 [architecture, libraries, prints, 18th century, history of collections].

  • Dimitri Ozerkov, Patricia Ellis: Newspeak. British Art Now. Exhibition catalogue. London: Booth-Clibborn Editions, 2009, 124 pp. [contemporary art].

  • Dimitri Ozerkov, Dieter Buchhart: Gegenlicht. German Art from the George Economou Collection. Exhibition catalogue. Athens - St.Petersburg, 2013, 76 pp. [contemporary art, German Expressionism].

  • Dimitri Ozerkov: Jake and Dinos Chapman, End of Fun. Exhibition catalogue. London - St. Petersburg, 2012, 176 pp. [contemporary art].

  • Dimitri Ozerkov, Anna Trofimova: Antony Gormley. Still Standing. Exhibition catalogue. London, 2011, 128 pp. [contemporary art].

  • Dimitri Ozerkov and others: Dmitri Prigov: Dmitri Prigov. Exhibition catalogue for 54th Venice Biennale of Contemporary Art. Venezia, 2011, 384 pp. [contemporary art, Russian conceptualism].

Parker, Dr. John L.


Field of research: History of theatre, theatre history
Host: Prof. Dr. Rolf-Peter Janz Freie Universität Berlin
  • John L. Parker: Marcion's Unknown God. Tasmania: Publishing House Bookworm, 2008, 120 pp.

Pelc, Prof. Dr. Milan

University of Zagreb, Croatia
Field of research: Art history
Host: Prof. Dr. Sibylle Appuhn-Radtke Zentralinstitut für Kunstgeschichte
  • Milan Pelc: Theatrum Humanum. Illustrierte Flugblätter und Druckgrafik des 17. Jahrhunderts als Spiegel der Zeit. Beispiele aus dem Bestand der Sammlung Valvasor des Zagreber Erzbistums. Ostfildern: Jan Thorbecke Verlag, 2013, 204 pp.

Piltz, Prof. Dr. Elisabeth

Uppsala University, Sweden
Field of research: Byzantine art
Host: Prof. Dr. Peter Schreiner Universität zu Köln
  • Elisabeth Piltz, editor: Swedish texts, Sources for the History of Cyprus, vol XIV. New York : Paul Wallace, 2007, 121 pp.

  • Elisabeth Piltz: From Constantine the Great to Kandinsky - studies in Byzantine and post-Byzantine Art and Architecture. Oxford: Archaeopress, BAR 1669, 2007, 75 pp.

  • Elisabeth Piltz: Corpus de la peinture monumentale byzantine. La Suède. Uppsala: Eddy, 2008, 28 pp.

Rajarajan, Dr. Raju Kalidos Kesava

Jawaharlal Nehru University, India
Field of research: Art studies, art(s)
Host: Prof. Dr. Adalbert J. Gail Freie Universität Berlin
  • R.K.K. Rajarajan: Identification of Portrait Sculptures of the Nāgēśvara Temple, Kuṃbhakōṉam. In: East and West, Rome, Vol. 58/1-4: pp. 405-414. . 58/1-4, 2008, p. 405 - 414 [Indian Art History: South India - Cola Portrait Sculptures].

  • Raju Kalidos Kesava Rajarajan: Śiva-Dakṣiṇamūrti on vimānas of Viṣṇu Temples in the Far South. In: South Asian Studies, Routledge. 27.2, 2011, p. 131 - 144 [Indian Iconography].

  • R.K.K. Rajarajan: Few Bronzes of the Vīraṭṭaneśvara temple, Kīlūr. In: Annali del Istituto Orientale, Naples. 67, 2007, p. 211 - 216 [South Indian bronzes].

  • R.K.K. Rajarajan: Masterpieces of Indian Literature and Art - Tears of Kaṇṇaki: Annals and Iconology of the ‘Cilappatikāram’. New Delhi: Sharada Publishing House, 2016, 412 pp. [Tamil Literature, Hinduism, Iconography, Visual Studies].

  • R.K.K. Rajarajan: The Liṅga and Bronzes of the Perunakar Temple. In: Nidān: International Journal for Indian Studies, Durban, South Africa. 2.1, 2017, p. 13 - 33 [Linga, Visual Studies, Hinduism].

  • R.K. Parthiban and R.K.K. Rajarajan: Nāyaka Chef-d’œuvre. Sculptures of the Śrīvilliputtūr Tēr. In: Acta Orientalia, Societates Orientales Danica Fennica Norvegia Svecia. 77, 2016, p. 145 - 191 [Temple car, Iconography, Tamil Literature].

  • R.K.K. Rajarajan: Vañcaikkaḷam Past and Present Rāmāyaṇa Panels in Kēraḷa-Mahādeva Temple. In: Acta Orientalia, Societates Orientales Danica Fennica Norvegia Svecia. 76, 2015, p. 127 - 158 [Ramayana, wood carvings, iconography, Kerala].

  • R.K.K. Rajarajan: Early Pāṇḍya Siṁhavāhinī and Sapta Mātṛka Sculptures in the far South of India. In: Religions of South Asia. Equinox Publishing, Sheffield.. 9.2, 2015, p. 164 - 185 [Hindu Goddess, South India, Tamil Nadu, Iconography, ].

  • R.K.K. Rajarajan: Rock-cut Model Shrines in Early Indian Art. New Delhi: Sharada Publishing House, 2012, 180 pp. [Cave temples, Indian Art, Iconography].

  • R.K.K. Rajarajan and JEYAPRIYA Rajarajan: Mīnākṣī-Sundareśvara - ‘Tiruviḷaiyāṭaṟ Purāṇam’ in Letters, Design and Art. New Delhi.: Sharada Publishing House, 2013, 250 pp. [Madurai, Temple Sculpture, Tamil Literature, Iconography].

  • R.K.K. Rajarajan: Pallava Vestiges in South Peṇṇāṟu Basin. In: . Annali - Università Degli Studi Di Napoli “L’Orientale”. 75.1/4, 2015, p. 101 - 118 [Pallavas, South India, Hindu Temple, Visual Studies].

  • R.K.K. Rajarajan: Pañcanṛtyasabhās: Dancing Halls Five. In: Religion of South Asia, Equinox Publishing, Sheffield. 8.2, 2014, p. 197 - 216 [Saiva Iconography, South Indian Temples, Visual Studies].

  • R.K.K. Rajarajan: Historical sequence of the Vaiṣṇava Divyadeśas. Sacred venues of Viṣṇism. In: Acta Orientalia, Societates Orientales Danica Fennica Norvegia Svecia. 74, 2013, p. 37 - 90 [Vaisnavism, Hindu Temple, Divyadesa, Tamil Literature].

  • R.K.K. Rajarajan: Aihole Revisited. In: Annali - Università Degli Studi Di Napoli “L’Orientale”. 72.1/4, 2012, p. 211 - 222 [Medieval Art, Aihole, Karnataka, Temple Architecture].

  • R.K.K. Rajarajan: Antiquity of the Vaiṣṇava divyakśētras in Pāṇḍinādu. In: Acta Orientalia, Societates Orientales Danica Fennica Norvegia Svecia. 73, 2012, p. 59 - 104 [Divydesam, Hindu Temple, Tamil Literature, Visnu].

  • R.K.K. Rajarajan: Dance of Ardhanārī. A Historiographical Retrospection. In: Glimpses of Indian History and Art. Reflections on the Past, Perspectives for the Future. (Ed. In Tiziana Lorenzetti and Fabio Scialpi eds.) Roma: SAPIENZA Università Editrice, 2012, p. 233 - 270 [Hindu Iconography, Tamil Literature, Savism, ].

  • R.K.K. Rajarajan: Dakṣiṇamūrti on vimānas of Viṣṇu Temples in the Far South. In: South Asian Studies, Routledgg, ISSN: 0266-6030. 27.2, 2011, p. 131 - 144 [Daksinamurti, Siva, Hindu Iconography, Literature].

  • R.K.K. Rajarajan: Animal Motifs in the Iconography of Later Medieval Tamilnadu,. In: Annali - Università Degli Studi Di Napoli “L’Orientale”. 69.1/4, 2009, p. 167 - 173 [Animal motifs, Hindu Temple, Visual Studies].

  • R.K.K. Rajarajan: Tamil and Āriyam. In: Arimā Nōkku: International Journal on Language, Literature, Art, Culture, History, Philosophy and Science. 11.1, 2017, p. 19 - 23 [Tamil Literature, Aryan, Vaisnavism].

  • R.K.K. Rajarajan: “Hail the Victory of Rāma” Annihilate Terrorism in Laṅkā. In: The Quarterly Journal of the Mythic Society. 107.4, 2016, p. 69 - 89 [Ramayana, Tamil Literature, Vaisnavism].

  • R.K.K. Rajarajan: Am I a King? I am the Thief – ‘yanō aracan yanē kaḷvan’. In: The Quarterly Journal of the Mythic Society. 107.3, 2016, p. 1 - 12 [Tamil Literature, Cilappatikaram, ].

  • R.K.K. Rajarajan: Cōḻa Inscriptions of Rājarāja in Tañcāvūr – Iconography of Śiva. In: Silhouette of South Indian History, Archaeology, Epigraphy, Culture & Tourism, . (Ed. J. Soundararajan,) Chennai: Department of Ancient History and Archaeology, University of Madras, 2016, p. 10 - 18 [Inscriptions, Saivism, Iconography].

  • R.K.K. Rajarajan: Master-Slave Ambivalence in the hagiography of the Āḻvārs. In: The Quarterly Journal of the Mythic Society 107.1: pp. 44-60. . 107.1, 2016, p. 44 - 60 [Tamil Literature, Divyadesam, Alvars].

  • R.K.K. Rajarajan: Women and Power-Politics. In: Tamiliyal turaikalil makalir pankalippu ‘Women’s Contribution in Tamil related Departments’, . (Ed. V. Nirmalarani ed.,) Chennai: Kaavya, 2016, p. 229 - 248 [Women, Politics, Visual Studies].

  • R.K.K. Rajarajan: Art and Literature: Inseparable Links. In: The Quarterly Journal of the Mythic Society 106.4: pp. 53-61.. 106.4, 2015, p. 53 - 61 [Literature, Visual Studies, Tamil].

  • R.K.K. Rajarajan: Problems and Perspectives on Nāyaka History and Art. In: Glimpses of Vijayanāgara-Nāyaka Art. (Ed. J. Soundararajan,) New Delhi: Sharada Publishing House,, 2015, p. 161 - 168 [Vijayanagara-Nayaka, Visual Studies, Literature].

  • R.K.K. Rajarajan: ‘Navagrahas’ in Indian Thought and Nāyaka Temples of Tamilnadu. In: Glimpses of Vijayanāgara-Nāyaka Art. (Ed. J. Soundararajan) New Delhi: Sharada Publishing House, 2015, p. 8 - 16 [Navagrahas, Literature, Tamil Nadu].

  • R.K.K. Rajarajan: The Virāṭ Rāma and the Monster Kabandha. In: The Quarterly Journal of the Mythic Society 106.1: pp. 8-16. 106.1, 2015, p. 8 - 16 [Ramayana, Literature, Visual Studies].

  • R.K.K. Rajarajan: Legends of Madurai in Arts and Festivities. In: Cultural Contours of History and Archaeology, In honour of Snehasiri Prof. P. Chenna Reddy, Vol. VIII, Heritage, Culture and Literature. ISBN 9789350500514.. (Ed. K. Krishna Naik and E. Siva Nagi Reddy) Delhi: B.R. Publishing Corporation, 2015, p. 1 - 7 [Madurai, Hindu Temple, Festivals].

  • R.K.K. Rajarajan: Reflections on “Rāma-Setu” in South Asian Tradition. In: The Quarterly Journal of the Mythic Society. 105.3, 2014, p. 1 - 14.

  • R.K.K. Rajarajan: The Hoysala Mystery in Caṅkam Literature. In: The Quarterly Journal of the Mythic Society, ISSN: 0047 – 8555.. 105.2, 2014, p. 9 - 19.

  • R.K.K. Rajarajan: A Rare Stucco Image of Viśvarūpa-Cakkarattāḷvār. In: The Quarterly Journal of the Mythic Society,. 104.2, 2013, p. 68 - 76.

  • R.K.K. Rajarajan: From Pallava to Vijayanagara-Nāyaka – Perspectives in the Iconography of Koṭukoṭṭi. In: South Indian History Congress Annual Proceedings XXXII, . XXXII, 2012, p. 816 - 19.

  • R.K.K. Rajarajan: Chef D’ Oeuvre of Cōḷa Art. In: The Quarterly Journal of the Mythic Society. 103.3, 2011, p. 62 - 72.

  • R.K.K. Rajarajan: Vāhāṉās of Hindu Divinities with special note on Garuḍa: Anthropological Significance. In: Religion (International Institute of Tamil Studies). 79 & 80, 2011, p. 211 - 227.

  • R.K.K. Rajarajan: Early Historical Setting of Kañci and its Temples. In: Journal of the Institute of Asian Studies. 25.1, 2007, p. 23 - 52.

Rose, Dr. Margaret Anne

University of Cambridge, United Kingdom
Field of research: Art of the 19th and 20th century
Host: Prof. Dr. Joseph A. Kruse Heinrich-Heine-Institut
  • Margaret Anne Rose: Flaneurs & Idlers. Louis Huart "Physiologie du flaneur" (1841). Albert R. Smith "The Natural History of the Idler" (1848). Bielefeld: Aisthesis Verlag, 2007, c. 360 pp. [Literaturgeschichte Kulturgeschichte].

Rovelli, Dr. Federica

Beethoven-Archiv, Germany
Field of research: General musicology
Host: Prof. Dr. Bernhard R. Appel Beethoven-Archiv
  • Federica Rovelli: Audiovisione e screen musical: «The Wizard of Oz» (1939). In: Philomusica On-line. 6, 2007.

  • Federica Rovelli: I Rondo “espliciti” di Haydn. Problemi metodologici e punti di contatto col repertorio strumentale italiano. In: Boccherini Online. Rivista di musicologia del Centro Studi “Luigi Boccherini”. 2, 2009.

  • Federica Rovelli: Tra ‘esercitazioni scolastiche’ e ‘rifiuto delle regole’: Cherubini alla tastiera. In: Atti del Convegno “Cherubini al Cherubini” per il 250° anniversario dalla nascita. (Ed. Sergio Miceli) Florenz: Olschki, 2011, p. 231 - 248.

  • Giacomo Albert, Nicola Bizzaro, Gianmario Borio, Alessandro Bratus, Alessandro Cecchi, Maurizio Corbella, Matteo Giuggioli, Stefano Lombardi Vallauri, Marida Rizzuti, Federica Rovelli: Presentazione delle attività del gruppo di ricerca Worlds of AudioVision. In: Prossime distanze, Atti del XVIII CIM – Colloquio di Informatica Musicale. (Ed. Andrea Valle, Stefano Bassanese) Turin-Cuneo: Creative Commons, 2011.

  • Federica Rovelli: In merito a: L. van Beethoven. The 35 Piano Sonatas, hg. von Barry Cooper, London, The Associated Board of the Royal Schools of Music, 2007. In: Il Saggiatore musicale. 1-2, 2011, p. 280 - 288.

  • Federica Rovelli: “Beethoven conteso”. Le origini storiche di un dibattito musicologico. In: Studi e ricerche. 4, 2011, p. 215 - 229.

  • Federica Rovelli: La classificazione degli strumenti musicali di Hornbostel e Sachs (Appendix). In: Gli strumenti musicali. (Ed. Fabrizio Della Seta) Roma: Carocci, 2012, p. 163 - 169 Original author: Erich Moritz von Hornbostel, Kurt Sachs (Italienisch).

  • Federica Rovelli: The Rondos of Beethoven’s Sonata opus 53. Compositional Process and Formal Conception. In: Bonner Beethoven Studien. 10, 2012, p. 121 - 138.

  • Federica Rovelli: Contrast or Return? Monothematicism in the Late 18th Century Instrumental Rondo. In: Mozart Studien. 21, 2012, p. 107 - 126.

  • Marco Mangani, Federica Rovelli: Boccherini’s Thematic Catalogues: A Reappraisal (Abschnitt: What Musical Incipits Tell Us). In: Understanding Boccherini’s Manuscripts. (Ed. Rudolph Rasch) Cambridge: Cambridge Scholars Publishing, 2014, p. 109 - 128.

  • Federica Rovelli: Skizzeneditionen zu Beethoven: Nutzen und Aufgaben im wissenschaftsgeschichtlichen Rückblick. In: Von Nutzen der Edition. Zur Bedeutung moderner Editorik für die Erforschung von Literatur- und Kulturgegschichte. (Ed. Thomas Bein) Berlin: De Gruyter , 2015, p. 297 - 311 [Sketch Studies, Creative process, Edition, Music Philology, Beethoven].

  • Federica Rovelli: Epistemologia e fenomenlogia delle edizioni dei quaderni di schizzi di Beethoven. In: Philomusica On-line. 14, 2015, p. 289 - 308 [Music Philology, Sketch Studies, Creative Process, Beethoven ].

  • Federica Rovelli: “Laboratorium artificiosum”. Un regard dans l’atelier de Beethoven. In: Genesis. Revue international de critique génétique. 42, 2016, p. 169 - 181 [Genetic Criticism, Beethoven, Creative Process, Sketch Studies].

Scheideler, Dr. Ullrich

Humboldt-Universität zu Berlin, Germany
Field of research: History of music

  • Ullrich Scheideler: Between Archaism and Modernism: Tonality in Music for Amateurs in Germany around 1930. In: Tonality 1900 - 1950. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 203 - 222.

  • Ullrich Scheideler Felix Wörner Philip Rupprecht: Introduction. In: Tonality 1900-1950. Concept and Practice. (Ed. Felix Wörner Ullrich Scheideler Philip Rupprecht) Stuttgart: Franz Steiner Verlag, 2012, p. 11 - 22 [music theory tonality].

Schöning, Dr. Kateryna

Universität Wien, Austria
Field of research: Theory of music

  • Kateryna Schöning (geb.Shtryfanova): Das Präludium im deutschsprachigen Raum im 15. und 16. Jahrhundert. In: Die Musikforschung. 64/4, 2011, p. 335 - 357 [Musiktheorie und Musikgeschichte des 16. Jhs., Gattungstheorie, Präludium Prelude, music theorie and music history of the 16th century, genre of the Renaissance music ].

  • Kateryna Schöning: Tradition und Innovation in der Modusanwendung in der Instrumentalmusik des 16. Jahrhunderts. In: Die Musikforschung. 67/2, 2014, p. 134 - 153 [Modus, instrumental music in 16th century Instrumentalmusik im 16. Jahrhundert Modusbestimmung].

  • Kateryna Schöning: Rationale Strukturen in freien improvisatorischen Instrumentalformen (am Beispiel venezianischer Tokkaten und Intonationen im ausgehenden 16. Jahrhundert). In: Musiktheorie und Komposition. XII. Jahreskongress der Gesellschaft für Musiktheorie Essen 2012. (Ed. Markus Roth, Matthias Schlothfeldt) Hildesheim, Zürich, New York, 2015, p. 316 - 326.

  • Kateryna Schöning: Vocal basis in the Tientos of Luys Milán and Alonso Mudarra - Myth or Reality?. In: ISME. 1, 2015, p. 39 - 55.

Syer, Dr. Katherine

University of Illinois at Urbana-Champaign, United States of America
Field of research: Music and theatre
Host: Prof. Dr. Dieter Borchmeyer Bayerische Akademie der Schönen Künste
  • Katherine Syer: Wagner´s Visions Poetry, Politics, and the Psyche in the Operas through ´Die Walküre´. Rochester, USA: University of Rochester Press, 2014, 256 pp.

Taylor, Dr. Benedict

University of Edinburgh, United Kingdom
Field of research: General musicology
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Benedict Taylor: Musical History and Self-Consciousness in Mendelssohn’s Octet, Op. 20. In: 19th-Century Music. 32/2, 2008, p. 131 - 159 [Mendelssohn, Goethe, Hegel, Octet in Eb Op. 20, Cyclic form, memory].

  • Benedict Taylor: Nostalgia and Cultural Memory in Barber’s Knoxville: Summer of 1915. In: Journal of Musicology. 25/3, 2008, p. 211 - 229 [Samuel Barber, James Agee, Knoxville: Summer of 1915, Musical memory, Cultural memory, Nostalgia].

  • Benedict Taylor: Berg and Modernity: Ambivalence, Synthesis, and remaking of tradition in the String Quartet op. 3. In: Studia Musicologica. 50/1-2, 2009, p. 29 - 48 [Alban Berg, String Quartet op. 3, Theodor W. Adorno, Modernity, Romanticism, Tradition].

  • Benedict Taylor: Resituating Gilbert & Sullivan: The Musical and Aesthetic Context. In: The Cambridge Companion to Gilbert and Sullivan. (Ed. David Eden, Meinhard Saremba) Cambridge: Cambridge University Press, 2009, p. 36 - 49 [Arthur Sullivan, Aesthetics, Comic Opera, 19th-century British Music].

  • Benedict Taylor: Review of Brian Newbould, Schubert and the Symphony: A New Perspective (Toccata Press, 1992). In: Ad Parnassum. 5/11, 2009, p. 11 - 15 [Review, Schubert, Symphony].

  • Benedict Taylor: 'The Lost Chord': Sentimentality, Sincerity, and the search for 'Emotional Depth' in 19th-Century Music. In: International Review of the Aesthetics and Sociology of Music. 40/2, 2009, p. 207 - 233 [Emotion, Depth, Sentimentality, Value-Judgement].

  • Benedict Taylor: Cyclic Form, Time and Memory in Mendelssohn’s A minor Quartet, Op. 13. In: The Musical Quarterly. 93/1, 2010, p. 45 - 89 [Mendelssohn, Quartet in A minor Op. 13, Cyclic Form, Musical Time, Musical Memory, Marcel Proust].

  • Benedict Taylor: Modal four-note pitch collections in the music of Dvořák’s American period. In: Music Theory Spectrum. 32/1 , 2010, p. 44 - 59 [Dvořák, dual tonic, modality, tetrachord, added note, harmonic geometry].

  • Benedict Taylor: Beyond Good and Programmatic: Mendelssohn’s ‘Reformation’ Symphony. In: Ad Parnassum. 5/12, 2009, p. 115 - 127 [Felix Mendelssohn; Symphony in D minor ('Reformation'); Programme music; aesthetics].

  • Benedict Taylor: On Time and Eternity in Messiaen. In: Messiaen: the Centenary Papers. (Ed. Judith Crispin ) Newcastle: Cambridge Scholars Publishing, 2010, p. 222 - 243 [Olivier Messiaen, Time, Eternity].

  • Benedict Taylor: Der Musiker Arthur Sullivan – Ästhetik und Kontext. In: Arthur Sullivan – Musik-Konzepte 151. Munich: Edition Text+Kritik, 2011, p. 5 - 21 [Arthur Sullivan].

  • Benedict Taylor: Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form. Cambridge: Cambridge University Press, 2011, 320 pp. [Mendelssohn, Time, Memory, Cyclic Form].

  • Benedict Taylor, Albert Gier, Meinhard Saremba : Sullivan Perspektiven: Arthur Sullivans Opern, Kantaten, Orchester- und Sakralmusik. Essen: Oldib-Verlag, 2012, 372 pp.

Vande Moortele, Prof. Dr. Steven

University of Toronto, Canada
Field of research: Theory of music
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Steven Vande Moortele: Form, Narrative and Intertextuality in Wagner's Overture to 'Der fliegende Holländer'. In: Music Analysis. 32, 2013, p. 46 - 79 [musical form; opera; Richard Wagner].

  • Steven Vande Moortele: In Search of Romantic Form. In: Music Analysis. 2013, [musical form; nineteenth century; Schmalfeldt].

  • Steven Vande Moortele: Sentences, Sentence Chains, and Sentence Replication: Intra- and Interthematic Functions in Liszt’s Weimar Symphonic Poems. In: Intégral. 25, 2011, p. 121 - 158 [Liszt; symphonic poems; musical phrase structure; formal functions].

Vybiral, Prof. Dr. Jindrich

Academy of Arts, Architecture and Design, Czech Republic
Field of research: Art history
Host: Prof. Dr. Wolf Tegethoff Zentralinstitut für Kunstgeschichte
  • Jindrich Vybiral: Junge Meister. Architekten aus der Schule Otto Wagners in Mähren und Schlesien. Wien : Böhlau, 2007, 316 pp. [Early modern architecture Moravia].

de Baranano, Prof. Dr. Kosme Maria

Universidad Miguel Hernandez de Elche, Spain
Field of research: Art history
Host: Prof. Dr. Kai Kappel Humboldt-Universität zu Berlin
  • Kosme de Baranano: Criterios sobre la Historia del Arte. Madrid: Kailas Editorial, S.L., 2016, 277 pp.