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Bibliographia Humboldtiana Index

Bibliographia Humboldtiana

Publications in 2010

Aesthetics, art studies, musicology

Barnett, Prof. Dr. David Julian

University of York, United Kingdom
Field of research: Drama, dramatic art, theatre studies
Host: Dr. Erdmut Wizisla Akademie der Künste
  • David Julian Barnett: ‘I have to change myself instead of interpreting myself.’ Heiner Müller as Post-Brechtian Director‘. In: Contemporary Theatre Review. 20:1, 2010, p. 6 - 20 [Post-Brechtian performance aesthetics Heiner Müller Macbeth Der Lohndrücker].

  • David Julian Barnett: Christoph Marthaler: The Musicality, Theatricality and Politics of Postdramatic Direction. In: Contemporary European Theatre Directors. (Ed. Delgado, Maria and Rebellato, Dan) Abingdon: Routledge, 2010, p. 185 - 203.

Benson, Prof. Dr. Timothy O.

Los Angeles County Museum of Art, United States of America
Field of research: Art studies, art(s)
Host: Prof. Dr. Uwe Fleckner Universität Hamburg
  • Timothy O. Benson: Central European Modernisms. In: The Oxford Handbook of Modernisms. (Ed. Peter Brooker, Andrzej Gasiorek, Deborah Parsons, Andrew Thacker ) Oxford and New York: Oxford University Press, 2010, p. 817 - 836 [Modern Art, National Identity, Nationalism, Central European Studies, Czech Art, Hungarian Art, Constructivism, German Art, Polish Art, German and Austrian Literature, Art Criticism].

Bredekamp, Prof. Dr. Horst

Humboldt-Universität zu Berlin, Germany
Field of research: Art history

  • Horst Bredekamp: Theorie des Bildakts. Berlin: Suhrkamp, 2010, 463 pp.

Crispin, Dr. Judith Michelle


Field of research: General musicology
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Judith Michelle Crispin: The Esoteric Legacy of Ferruccio Busoni. In: Music and Esotericism. (Ed. Laurence Wuidar) Amsterdam: Brill Publishing, 2010, p. 265 - 294 [Musicology, Western Esotericism, Hermeticism, Ferruccio Busoni, Magic Circles, Doktor Faust, Opera].

  • Judith Michelle Crispin (editor): Olivier Messiaen: The Centenary Papers. Newcastle: Cambridge Scholars Press, 2010, 335 pp. [Olivier Messiaen, musicology].

  • Judith Michelle Crispin: Messiaen’s Transcendent Angels and the Ten Duino Elegies of Rilke. In: Olivier Messiaen: the Centenary Papers. (Ed. Judith Michelle Crispin) Newcastle: Cambridge Scholars Press, 2010, p. 38 - 51 [Olivier Messiaen, Rainer Maria Rilke, Opera, Angels, Thomas Aquinas, Mysticism, Poetry, Musicology].

De Benedictis, Dr. Angela Ida

Universita degli Studi di Pavia, Italy
Field of research: Musicology, music
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Angela Ida De Benedictis Veniero Rizzardi (eds): Massimo Mila - Luigi Nono: "Nulla di oscuro tra noi". Carteggio 1952-1988. Milano: il Saggiatore, 2010, 365 pp.

  • Angela Ida De Benedictis: «Something intuitive»: Tōru Takemitsu’s relationship with the Western avant-gardes. In: Music Facing up to Silence: Writings on Tōru Takemitsu. (Ed. Gianmario Borio Luciana Galliano) Pavia: Pavia University Press, 2010, p. 159 - 176.

  • Angela Ida De Benedictis: Azione e trasformazione: la riconquista di un’idea. Genesi drammaturgica e compositiva di “Intolleranza 1960”. In: Schweizer Jahrbuch für Musikwissenschaft. 28/29, 2010, p. 321 - 376 [Music Theater of the XXth century, Luigi Nono].

Ehrhardt, Prof. Dr. Damien

Universite d'Evry - Val d'Essonne, France
Field of research: Musicology, music
Host: Prof. Dr. Detlef Altenburg Hochschule für Musik Franz Liszt Weimar
  • Damien Ehrhardt: La guerre franco-prussienne, la fondation de la Societé nationale de Musique et l'appropriation de la musique allemande. In: War and Peace: the Role of Science an Art - Beiträge zur Politischen Wissenschaft, Band 159. (Ed. Soraya Nour Sckell, Olivier Remaud) Berlin: Duncker & Humblot, 2010, p. 165 - 174.

Jackson, Mark

San Francisco State University, United States of America
Field of research: Drama, dramatic art, theatre studies
Host: Mr Günther Grosser ENGLISH THEATRE BERLIN
  • Mark Jackson: TEN PLAYS. San Francisco: EXIT Press, 2010, 492 pp. [Theater. Plays. Adaptations. New plays.].

  • Mark Jackson: TEN PLAYS. San Francisco, USA: Exit Press, 2010, 492 pp. [plays, drama, theater].

Jobez, Dr. Romain

Universite de Poitiers, France
Field of research: History of theatre, theatre history
Host: Prof. Dr. Ulrike Haß Ruhr-Universität Bochum
  • Romain Jobez: Le théâtre baroque allemand et français. Le droit dans la littérature. Paris: Garnier, 2010, 589 pp. [Études théâtrales. Trauerspiel. Tragédie baroque silésienne. Walter Benjamin. Law and literature studies.].

  • Romain Jobez: „,Bodies that splatter' - Shakespeare sur la scène allemande de la première modernité". In: Corps sanglants, souffrants et macabres. (Ed. Kjerstin Aukrust, Charlotte Bouteille-Meister) Paris: Presses Sorbonne Nouvelle, 2010, p. 215 - 226 [Études théâtrales. Théâtre baroque. Shakespeare studies.].

  • Romain Jobez: „Le partage des sensibilités. L'évolution du roman en Allemagne et ses modèles français au milieu du XVIIIe siècle à travers l'exemple de Gellert et Pfeil“. In: Ferments d'ailleurs. Transferts culturels entre Lumières et romantisme. (Ed. Denis Bonnecase, François Genton) Grenoble: Ellug, 2010, p. 213 - 228 [Études dix-huitièmistes. Roman. Transferts culturels franco-allemands. Eighteenth century studies.].

Lobanova, Dr. Marina

, Germany
Field of research: Musicology, music
Host: Prof. Dr. Constantin Floros Universität Hamburg
  • Marina Lobanova: Trojka, semёrka, tuz (k poėtiki "Pikovoj damy" P. I. Čajkovskigo) [Drei, Sieben, As. Zu der Oper "Pique Dame" von Pjotr Iljitsch Čajkovskij]. In: Naučno-analitičeskij žurnal „Dom Burganova“. Prostranstvo kul’tury . 1, 2010, p. 163 - 179.

November, Prof. Dr. Nancy Rachel

University of Auckland, New Zealand
Field of research: General musicology
Host: Prof. Dr. Bettina Schlüter Rheinische Friedrich-Wilhelms-Universität Bonn
  • Nancy Rachel November: Commonality and Diversity in Recordings of Beethoven’s Middle Period String Quartets . In: Performance Practice Review . 15, 2010, p. 1 - 11 [Performance practice, recording history, Beethoven, string quartet].

Owens, Dr. Samantha

Victoria University of Wellington, New Zealand
Field of research: History of music
Host: Prof. Dr. Peter Wollny Bach-Archiv Leipzig
  • Samantha Owens: Johann Sigismund Cousser (Kusser): a “European” in early eighteenth-century England and Ireland. In: Händel-Jahrbuch. 56, 2010, p. 445 - 467 [Cousser Kusser Handel historical musicology German baroque musicians].

  • Samantha Owens: ’Not always the same minuets’: Dance at the Württemberg court, 1662–1711. In: The court historian. 15, 2010, p. 133 - 144 [German baroque court ballet Wuerttemberg].

Taylor, Dr. Benedict

University of Edinburgh, United Kingdom
Field of research: General musicology
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Benedict Taylor: Cyclic Form, Time and Memory in Mendelssohn’s A minor Quartet, Op. 13. In: The Musical Quarterly. 93/1, 2010, p. 45 - 89 [Mendelssohn, Quartet in A minor Op. 13, Cyclic Form, Musical Time, Musical Memory, Marcel Proust].

  • Benedict Taylor: Modal four-note pitch collections in the music of Dvořák’s American period. In: Music Theory Spectrum. 32/1 , 2010, p. 44 - 59 [Dvořák, dual tonic, modality, tetrachord, added note, harmonic geometry].

  • Benedict Taylor: On Time and Eternity in Messiaen. In: Messiaen: the Centenary Papers. (Ed. Judith Crispin ) Newcastle: Cambridge Scholars Publishing, 2010, p. 222 - 243 [Olivier Messiaen, Time, Eternity].