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Bibliographia Humboldtiana Index

Bibliographia Humboldtiana

I. Publications by Humboldt Research Fellows from abroad in 2010

Aesthetics, art studies, musicology

Barnett, Prof. Dr. David Julian

University of York, United Kingdom
Field of research: Drama, dramatic art, theatre studies
Host: Dr. Erdmut Wizisla Akademie der Künste
  • David Julian Barnett: ‘I have to change myself instead of interpreting myself.’ Heiner Müller as Post-Brechtian Director‘. In: Contemporary Theatre Review. 20:1, 2010, p. 6 - 20 [Post-Brechtian performance aesthetics Heiner Müller Macbeth Der Lohndrücker].

  • David Julian Barnett: Christoph Marthaler: The Musicality, Theatricality and Politics of Postdramatic Direction. In: Contemporary European Theatre Directors. (Ed. Delgado, Maria and Rebellato, Dan) Abingdon: Routledge, 2010, p. 185 - 203.

Benson, Prof. Dr. Timothy O.

Los Angeles County Museum of Art, United States of America
Field of research: Art studies, art(s)
Host: Prof. Dr. Uwe Fleckner Universität Hamburg
  • Timothy O. Benson: Central European Modernisms. In: The Oxford Handbook of Modernisms. (Ed. Peter Brooker, Andrzej Gasiorek, Deborah Parsons, Andrew Thacker ) Oxford and New York: Oxford University Press, 2010, p. 817 - 836 [Modern Art, National Identity, Nationalism, Central European Studies, Czech Art, Hungarian Art, Constructivism, German Art, Polish Art, German and Austrian Literature, Art Criticism].

Crispin, Dr. Judith Michelle


Field of research: General musicology
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Judith Michelle Crispin: The Esoteric Legacy of Ferruccio Busoni. In: Music and Esotericism. (Ed. Laurence Wuidar) Amsterdam: Brill Publishing, 2010, p. 265 - 294 [Musicology, Western Esotericism, Hermeticism, Ferruccio Busoni, Magic Circles, Doktor Faust, Opera].

  • Judith Michelle Crispin (editor): Olivier Messiaen: The Centenary Papers. Newcastle: Cambridge Scholars Press, 2010, 335 pp. [Olivier Messiaen, musicology].

  • Judith Michelle Crispin: Messiaen’s Transcendent Angels and the Ten Duino Elegies of Rilke. In: Olivier Messiaen: the Centenary Papers. (Ed. Judith Michelle Crispin) Newcastle: Cambridge Scholars Press, 2010, p. 38 - 51 [Olivier Messiaen, Rainer Maria Rilke, Opera, Angels, Thomas Aquinas, Mysticism, Poetry, Musicology].

De Benedictis, Dr. Angela Ida

Universita degli Studi di Pavia, Italy
Field of research: Musicology, music
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Angela Ida De Benedictis Veniero Rizzardi (eds): Massimo Mila - Luigi Nono: "Nulla di oscuro tra noi". Carteggio 1952-1988. Milano: il Saggiatore, 2010, 365 pp.

  • Angela Ida De Benedictis: «Something intuitive»: Tōru Takemitsu’s relationship with the Western avant-gardes. In: Music Facing up to Silence: Writings on Tōru Takemitsu. (Ed. Gianmario Borio Luciana Galliano) Pavia: Pavia University Press, 2010, p. 159 - 176.

  • Angela Ida De Benedictis: Azione e trasformazione: la riconquista di un’idea. Genesi drammaturgica e compositiva di “Intolleranza 1960”. In: Schweizer Jahrbuch für Musikwissenschaft. 28/29, 2010, p. 321 - 376 [Music Theater of the XXth century, Luigi Nono].

Ehrhardt, Prof. Dr. Damien

Universite d'Evry - Val d'Essonne, France
Field of research: Musicology, music
Host: Prof. Dr. Detlef Altenburg Hochschule für Musik Franz Liszt Weimar
  • Damien Ehrhardt: La guerre franco-prussienne, la fondation de la Societé nationale de Musique et l'appropriation de la musique allemande. In: War and Peace: the Role of Science an Art - Beiträge zur Politischen Wissenschaft, Band 159. (Ed. Soraya Nour Sckell, Olivier Remaud) Berlin: Duncker & Humblot, 2010, p. 165 - 174.

Jackson, Mark

San Francisco State University, United States of America
Field of research: Drama, dramatic art, theatre studies
Host: Mr Günther Grosser ENGLISH THEATRE BERLIN
  • Mark Jackson: TEN PLAYS. San Francisco: EXIT Press, 2010, 492 pp. [Theater. Plays. Adaptations. New plays.].

  • Mark Jackson: TEN PLAYS. San Francisco, USA: Exit Press, 2010, 492 pp. [plays, drama, theater].

Jobez, Dr. Romain

Universite de Poitiers, France
Field of research: History of theatre, theatre history
Host: Prof. Dr. Ulrike Haß Ruhr-Universität Bochum
  • Romain Jobez: Le théâtre baroque allemand et français. Le droit dans la littérature. Paris: Garnier, 2010, 589 pp. [Études théâtrales. Trauerspiel. Tragédie baroque silésienne. Walter Benjamin. Law and literature studies.].

  • Romain Jobez: „,Bodies that splatter' - Shakespeare sur la scène allemande de la première modernité". In: Corps sanglants, souffrants et macabres. (Ed. Kjerstin Aukrust, Charlotte Bouteille-Meister) Paris: Presses Sorbonne Nouvelle, 2010, p. 215 - 226 [Études théâtrales. Théâtre baroque. Shakespeare studies.].

  • Romain Jobez: „Le partage des sensibilités. L'évolution du roman en Allemagne et ses modèles français au milieu du XVIIIe siècle à travers l'exemple de Gellert et Pfeil“. In: Ferments d'ailleurs. Transferts culturels entre Lumières et romantisme. (Ed. Denis Bonnecase, François Genton) Grenoble: Ellug, 2010, p. 213 - 228 [Études dix-huitièmistes. Roman. Transferts culturels franco-allemands. Eighteenth century studies.].

Lobanova, Dr. Marina

, Germany
Field of research: Musicology, music
Host: Prof. Dr. Constantin Floros Universität Hamburg
  • Marina Lobanova: Trojka, semёrka, tuz (k poėtiki "Pikovoj damy" P. I. Čajkovskigo) [Drei, Sieben, As. Zu der Oper "Pique Dame" von Pjotr Iljitsch Čajkovskij]. In: Naučno-analitičeskij žurnal „Dom Burganova“. Prostranstvo kul’tury . 1, 2010, p. 163 - 179.

November, Prof. Dr. Nancy Rachel

University of Auckland, New Zealand
Field of research: General musicology
Host: Prof. Dr. Bettina Schlüter Rheinische Friedrich-Wilhelms-Universität Bonn
  • Nancy Rachel November: Commonality and Diversity in Recordings of Beethoven’s Middle Period String Quartets . In: Performance Practice Review . 15, 2010, p. 1 - 11 [Performance practice, recording history, Beethoven, string quartet].

Owens, Dr. Samantha

Victoria University of Wellington, New Zealand
Field of research: History of music
Host: Prof. Dr. Peter Wollny Bach-Archiv Leipzig
  • Samantha Owens: Johann Sigismund Cousser (Kusser): a “European” in early eighteenth-century England and Ireland. In: Händel-Jahrbuch. 56, 2010, p. 445 - 467 [Cousser Kusser Handel historical musicology German baroque musicians].

  • Samantha Owens: ’Not always the same minuets’: Dance at the Württemberg court, 1662–1711. In: The court historian. 15, 2010, p. 133 - 144 [German baroque court ballet Wuerttemberg].

Taylor, Dr. Benedict

University of Edinburgh, United Kingdom
Field of research: General musicology
Host: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
  • Benedict Taylor: Cyclic Form, Time and Memory in Mendelssohn’s A minor Quartet, Op. 13. In: The Musical Quarterly. 93/1, 2010, p. 45 - 89 [Mendelssohn, Quartet in A minor Op. 13, Cyclic Form, Musical Time, Musical Memory, Marcel Proust].

  • Benedict Taylor: Modal four-note pitch collections in the music of Dvořák’s American period. In: Music Theory Spectrum. 32/1 , 2010, p. 44 - 59 [Dvořák, dual tonic, modality, tetrachord, added note, harmonic geometry].

  • Benedict Taylor: On Time and Eternity in Messiaen. In: Messiaen: the Centenary Papers. (Ed. Judith Crispin ) Newcastle: Cambridge Scholars Publishing, 2010, p. 222 - 243 [Olivier Messiaen, Time, Eternity].