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Profile
| Academic position | Full Professor |
|---|---|
| Research fields | Musicology |
| Keywords | österreichische-deutsche Musik 1700-1900, Vokalpolyphonie 1400-1600, Musiktheorie, Musikästhetik |
Current contact address
| Country | United States of America |
|---|---|
| City | Stanford |
| Institution | Stanford University |
| Institute | Department of Music |
Host during sponsorship
| Prof. Dr. Carl Dahlhaus | Institut für Kommunikationswissenschaften, Medienwissenschaften und Musikwissenschaften, Musikgeschichte, Technische Universität Berlin, Berlin |
|---|---|
| Prof. Dr. Rudolf Stephan | Institut für Kommunikationswissenschaften, Medienwissenschaften und Musikwissenschaften, Musikgeschichte, Technische Universität Berlin, Berlin |
| Prof. Dr. Dr. h.c. Hermann Danuser | Institut für Musikwissenschaft und Medienwissenschaft, Humboldt-Universität zu Berlin, Berlin |
| Start of initial sponsorship | 01/08/1988 |
Program(s)
| 1988 | Humboldt Research Fellowship Programme |
|---|---|
| 2014 | Humboldt Research Award Programme |
Nominator's project description
| Professor Berger is an internationally recognized authority in musicology and music aesthetics. After path-breaking studies on "Musica ficta" of the Renaissance period and a general "Theory of Art" he focuses on the development of musical modernity, starting with studies on J.S. Bach and W.A. Mozart. During his stay in Germany, he will continue his research for his new book on 19th century music. |
Publications (partial selection)
| 2011 | Karol Berger: Der Dichter spricht: Der Karfreitagszauber und die Performanz der Interpretation. In: Camilla Bork, Tobias Robert Klein, Burkhard Meischein, Andreas Meyer, Tobias Plebuch, Ereignis und Exegese - Festschrift für Hermann Danuser zum 65. Geburtstag. Edition Argus, 2011. 335-348 |
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