| 2022 | Risto Pekka Pennanen: Play and Pay: The Ill-Starred Project of the Municipal Tax on Musical Instruments in Prague, 1910–1913. In: European Journal of Musicology 21, 2022, 1-23 |
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| 2022 | Pekka Gronow und Risto Pekka Pennanen: Zagreb, London, Berlin, New York: The Origins of the Record Industry in Croatia. In: Arti musices 53, 2022, 219-236 |
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| 2019 | Risto Pekka Pennanen: Tip, Trinkgeld, Bakšiš: Cosmopolitan and Other Strategies of Touring Music Groups before the Great War in Sarajevo. Music History and Cosmopolitanism. Anastasia Belina, Kaarina Kilpiö und Derek B. Scott 2019. 133-146 |
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| 2017 | Risto Pekka Pennanen: Materialising Invisible Musicians: Professionalism in Non-Classical Music in Habsburg Bosnia-Herzegovina, 1878–1918. In: Musik und Professionalität. Lied und populäre Kultur. Jahrbuch des Zentrums für Populäre Kultur und Musik 62, 2017, 159-178 |
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| 2016 | Risto Pekka Pennanen: Cannons, Church Bells and Colonial Policies: The Soundscape in Habsburg Bosnia-Herzegovina. Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Ian Biddle und Kirsten Gibson 2016. 152-166 |
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| 2016 | Risto Pekka Pennanen: Discography of Bosnian non-Deutsche Grammophon-Aktiengesellschaft (DGAG): Recordings before the Great War. In: ARSC Journal, 47, 2016, 191-204 |
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| 2015 | Risto Pekka Pennanen: Colonial, Silenced, Forgotten: Exploring the Musical Life of German-Speaking Sarajevo in December 1913. Critical Music Historiography: Probing Canons, Ideologies and Institutions. Vesa Kurkela und Markus Mantere 2015. 107-121 |
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| 2014 | Risto Pekka Pennanen: . Filling the Gaps of Bosnian Discography: Central European Labels before the Great War. In: ARSC Journal, 47, 2014, 161-190 |
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| 2014 | Risto Pekka Pennanen: Improvised Instrumental Sections on Bosnian Commercial Recordings: From Westernisation to Re-Orientalisation. Maqām: Historical Traces and Present Practice in Southern European Music Traditions. Jürgen Elsner, Gisa Jähnichen und Jasmina Talam 2014. 76-93 |
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| 2013 | Risto Pekka Pennanen: Between Sultan and Emperor: Politics and Ottoman Music in Habsburg Bosnia-Herzegovina, 1878–1918. Ottoman Intimacies, Balkan Musical Realities. Risto Pekka Pennanen, Panagiotis C. Poulos und Aspasia Theodosiou 2013. 31-50 |
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| 2013 | Aspasia Theodosiou, Panagiotis C. Poulos und Risto Pekka Pennanen: Introduction. Ottoman Intimacies, Balkan Musical Realities. Risto Pekka Pennanen, Panagiotis C. Poulos und Aspasia Theodosiou, 2013. vii-xxix |
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| 2010 | Risto Pekka Pennanen: Melancholic Airs of the Orient: Bosnian Sevdalinka Music as an Orientalist and National Symbol. Music and Emotions. Risto Pekka Pennanen, 2010. 76-90 |
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| 2008 | Risto Pekka Pennanen: Lost in Scales: Balkan Folk Music Research and the Ottoman Legacy. In: Muzikologija/Musicology , 2008, 127-147 |
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| 2007 | Risto Pekka Pennanen: Immortalised on Wax: Professional Folk Musicians and Their Gramophone Recordings Made in Sarajevo, 1907 and 1908. Europe and Its Other: Notes on the Balkans. Božidar Jezernik, Rajko Muršić und Alenka Bartulović 2007. 107-148 |
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| 2004 | Risto Pekka Pennanen: The Nationalization of Ottoman Popular Music in Greece. In: Ethnomusicology, 2004, 1-25 |
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| 2003 | Risto Pekka Pennanen: Greek Music Policy Under the Dictatorship of General Ioannis Metaxas (1936-1941).. In: Leena Pietilä-Castrén and Marjaana Vesterinen, Grapta Poikila I. Papers and Monographs of the Finnish Institute at Athens 8.. Foundation of the Finnish Institute at Athens, 2003. 103-130 |
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| 2001 | Risto Pekka Pennanen: Folk Music Research and Nationalism in the People's Republic of Bulgaria: A Preliminary Analysis.. In: Ivan Cavlovic Zbornik radova. II. Medjunarodni simpozij 'Muzika u drustvu', Sarajevo 27.-28. oktobra 2000. . Musicological Society of FBiH, 2001. 173-181 |
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| 1997 | Risto Pekka Pennanen: Commercial Recordings and Source Criticism in Music Research: Some Methodological Views. In: Svensk tidskrift för musikforsknin, 87, 1997, 81-99 |
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