Publications (partial selection)
| 2021 | DANUTA MIRKA: Hypermetric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791. Oxford University Press, 2021 |
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| 2014 | Danuta MIRKA: Introduction. In: DANUTA MIRKA, The Oxford Handbook of Topic Theory. Oxford University Press, 2014. 1-57 |
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| 2014 | DANUTA MIRKA (ed.): The Oxford Handbook of Topic Theory. Oxford University Press, 2014 |
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| 2014 | DANUTA MIRKA: Topics and Meter. In: DANUTA MIRKA, The Oxford Handbook of Topic Theory. Oxford University Press, 2014. 357-380 |
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| 2009 | Danuta Mirka: Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791. Oxford University Press, 2009 |
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| 2009 | Danuta Mirka: Vorwärts hören rückwärts hören: Zur Wahrnehmung metrischer Irregularitäten in Streichquartetten Joseph Haydns. In: Angelika Moths, Musiktheorie an ihren Grenzen: Neue und Alte Musik.. Peter Lang, 2009. 409-418 |
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| 2008 | Danuta Mirka and Kofi Agawu (eds.): Communication in Eighteenth-Century Music. Cambridge University Press, 2008 |
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| 2008 | Danuta Mirka: Metre, phrase structure and manipulations of musical beginnings. In: Danuta Mirka and Kofi Agawu, Communication in Eighteenth-Century Music. Cambridge University Press, 2008. 83-111 |
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| 2005 | Danuta Mirka: The Cadence of Mozart's Cadenzas. In: The Journal of Musicology, 2005, 292-325 |
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| 2004 | Danuta Mirka: Das Spiel mit der Kadenz. In: Die Musikforschung, 2004, 18-35 |
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| 2004 | Danuta Mirka: Gorecki's Musica geometrica. In: The Musical Quarterly, 2004, 305-332 |
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