Go to content
- {{#headlines}}
- {{title}} {{/headlines}}
Profile
| Academic position | Associate Professor, Senior Lecturer, Reader |
|---|---|
| Research fields | Theatre and Media Studies,History of Science |
| Keywords | media history, performance studies, history of science and knowledge, cultural history, theatre history |
| Honours and awards | 2022: Promising Researcher of ELTE Award |
Current contact address
| Country | Hungary |
|---|---|
| City | Budapest |
| Institution | Eötvös Lorand University |
| Institute | Department of Comparative Literature |
Host during sponsorship
| Prof. Dr. Peter W. Marx | Institut für Medienkultur und Theater, Universität zu Köln, Köln |
|---|---|
| Start of initial sponsorship | 01/02/2020 |
Programme(s)
| 2019 | Humboldt Research Fellowship Programme for Postdocs |
|---|
Publications (partial selection)
| 2024 | Kornelia Deres: Performing Womanhood and Carefare in Hungary. In: Theatre Research International, 49, 2024, 95-100 |
|---|---|
| 2022 | Kornelia Deres: Community and Invisible Work at the Szkéné Collective: Methodological Questions on Researching Amateur Theatres during the 1960s and 1970s. In: Theatron, 16, 2022, 28-42 |
| 2022 | Kornelia Deres: Informant Romeo, Leaked Yorick: Documentary Theatre, Re-Enactment and the Opening of Archives. Prae Publishing, 2022 |
| 2022 | Kornelia Deres: Popular Entertainment and New Images in Nineteenth-century Theatre. In: A. Farkas and G. Körömi, New Results in the Research of Theatre and Drama (17th-19th century). Líceum Publisher, 2022. 197-206 |
| 2021 | Kornelia Deres: Emerging Postdramatic Aesthetics and Shakespeare in Hungarian Theatre. In: Theatralia, 24, 2021, 105-120 |
| 2020 | DERES, KORNÉLIA: Archival Practices of Suspicion: Remains in Secret Reports, Self-Documentation and Oral Histories. In: Theatre Research International, 45, 2020, 308–314 |
| 2020 | Kornelia Deres: From State Security to Security State: Performing Control and Claustrophobia in Hungarian Theatre. In: New Theatre Quarterly, 36, 2020, 320-331 |