| 2024 | Alexandra Irimia: Narrative Embodiments: Anatomy, Physiology, and Pathology of Textual Corporeality in Nicola Barker’s H(A)PPY. In: Vanessa Höving and Lena Wetenkamp, Text/Körper: Ästhetiken und Praktiken literarischer (Un-)Sichtbarkeit. Rombach Wissenschaft, 2024. 23-54 |
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| 2023 | Alexandra Irimia: Figures of Radical Absence: Blanks and Voids in Theory, Literature, and the Arts. De Gruyter, 2023 |
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| 2023 | Alexandra Irimia: Research as Montage: Notes on a Georges Didi-Huberman Exhibition. In: KWI-Blog, 2023, |
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| 2023 | Alexandra Irimia: Running on Empty Blanks and Voids in Academic Publishing. In: KWI-Blog, 2023, |
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| 2022 | Alexandra Irimia: Bureaucratic Sorceries in The Third Policeman: Anthropological Perspectives on Magic and Officialdom. In: The Parish Review: Journal of Flann O'Brien Studies, 6, 2022, 1-21 |
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| 2022 | Alexandra Irimia: Disformations, or How Affects Disturb Forms. In: Discourse: Journal for Theoretical Studies in Media and Culture, 44, 2022, 2272-277 |
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| 2021 | Alexandra Irimia: Bureaucratic Fanatics: Modern Literature and the Passions of Rationalization. In: The Comparatist, 45, 2021, 389-391 |
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| 2021 | Alexandra Irimia: What Moves You?: Georges Didi-Huberman’s Arts of Passage and Pittsburgh Stories of Migration. In: Justin Carville, Sigrid Lien, Contact Zones: Photography, Migration, and Cultural Encounters in the United States. Leuven University Press, 2021. 205-228 |
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| 2020 | Alexandra Irimia: Museums of the Void. The Exhibition Space as Empty Signifier. In: Alejandra Alonso Tak and Ángel Pazos-López, Socializing Art Museums. De Gruyter, 2020. 303-316 |
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| 2018 | Alexandra Irimia: Matters of Time in László Krasznahorkai’s and Béla Tarr’s Satantango. In: Ekphrasis, 2, 2018, 213-225 |
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