Bibliographia Humboldtiana
Publikationen in 2012
Kunst- und Musikwissenschaft
Auner, Dr. Joseph H.
Tufts University, United States of America
Fachgebiet: History of music
Gastgeber: Prof. Dr. Klaus Kropfinger Universität Kassel
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Joseph H. Auner: Weighing, Measuring, Embalming Tonality: How we Became Phonometrographers. In: Tonality 1900-1950 - Concept and Practice. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 25 - 46.
Bredekamp, Prof. Dr. Horst
Humboldt-Universität zu Berlin, Germany
Fachgebiet: Art history
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Horst Bredekamp: Leibniz und die Revolution der Gartenkunst;
Herrenhausen, Versailles und die Philosophie der Blätter. Berlin: Verlag Klaus Wagenbach, 2012, 165 pp.
Delaere, Prof. Dr. Mark
Katholieke Universiteit Leuven, Belgium
Fachgebiet: Musicology, music
Gastgeber: Prof. Dr. Helga de la Motte-Haber Technische Universität Berlin
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Mark Delaere: "Autant de compositeurs, autant de polytonalités différentes": Polytonality in French Music Theory and Composition of the 1920s. In: Tonality 1900-1950 - Concept and Practice. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 157 - 172.
Filippi, Prof. Dr. Dr. Elena
Universita degli Studi di Ferrara, Italy
Fachgebiet: Art history
Gastgeber: Prof. Dr. Hubertus Kohle Ludwig-Maximilians-Universität München (LMU)
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Elena Filippi, Stefan Hasler, Harald Schwaetzer: Raffaels Sixtinische Madonna. Eine Vision im Dialog. Münster: Aschendorff Verlag, 2012, 204 pp. [Art History, Renaissance Studies, Theology].
Groves, M.A. Rebecca
Kramlich Collection, United States of America
Fachgebiet: Drama, dramatic art, theatre studies
Gastgeber: William Forsythe The Forsythe Company
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Rebecca Groves: William Forsythe and the Practice of Choreography: It Starts from Any Point (review). In: Dance Research Journal. 44.2, 2012, p. 117 - 121 [contemporary dance, choreography, research in the arts, performance, William Forsythe, ballet].
Itoda, Prof. Dr. Soichiro
Meiji University, Japan
Fachgebiet: Drama, dramatic art, theatre studies
Gastgeber: Prof. Dr. Iris Hermann Otto-Friedrich-Universität Bamberg
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Soichiro Itoda: Ogai Mori — Der Literat hinter der Bühne. (Engekijōri no shijin Mori Ogai — wakakihi no engeki gekijōron wo yomu) (Jap.). Tokyo: Keio University Press , 2012, [Theaterreform in 1880er Jahren in Tokyo und München, Goethes- und Immermanns Theaterreform, Bühnensprache].
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Soichiro Itoda: Ogai Mori — Der Literat hinter der Bühne. (Engekijōri no shijin Mori Ogai — wakakihi no engeki gekijōron wo yomu) (Jap.). Tokyo: Keio University Press , 2012, [Theaterreform in 1880er Jahren in Tokyo und München, Goethes- und Immermanns Theaterreform, Bühnensprache].
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Soichiro Itoda: Ogai Mori — Der Literat hinter der Bühne. (Engekijōri no shijin Mori Ogai — wakakihi no engeki gekijōron wo yomu) (Jap.). Tokyo: Keio University Press , 2012, [Theaterreform in 1880er Jahren in Tokyo und München, Goethes- und Immermanns Theaterreform, Bühnensprache].
Lomtev, Dr. Denis
Hochschule für Management zu Moskau, Russian Federation
Fachgebiet: History of music
Gastgeber: Dr. Jürgen Warmbrunn Herder-Institut e.V. (HI)
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Denis Lomtev: Deutsche in der musikalischen Infrastruktur Russlands. Lage (Westf.): BMV Verlag Robert Burau, 2012, 264 pp. [Deutsche; Russland; Infrastruktur; Verlagswesen; Musikvereine; Musikinstrumentenbau].
Neidhöfer, Prof. Dr. Christoph
McGill University, Canada
Fachgebiet: Theory of music
Gastgeber: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
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Christoph Neidhöfer: "Berio at Work: Compositional Procedures in Circles, O King, Concerto for Two Pianos, Glossa, and Notturno". In: Luciano Berio: Nuove Prospettive / New Perspectives. (Ed. Angela Ida De Benedictis) Florence: Leo S. Olschki, 2012, p. 195 - 233 [Musical analysis, sketch studies, musical serialism, Darmstadt School].
Owens, Dr. Samantha
Victoria University of Wellington, New Zealand
Fachgebiet: History of music
Gastgeber: Prof. Dr. Peter Wollny Bach-Archiv Leipzig
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Samantha Owens: Robert Dalley-Scarlett (1887–1959) and Handel Reception in Australia between the World Wars. In: Musicology Australia. 34, 2012, p. 165 - 183.
Ozerkov, Dr. Dmitry
State Hermitage Museum, Russian Federation
Fachgebiet: Art history
Gastgeber: Prof. Dr. Martin Roth Staatliche Kunstsammlungen Dresden
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Dimitri Ozerkov: Jake and Dinos Chapman, End of Fun. Exhibition catalogue. London - St. Petersburg, 2012, 176 pp. [contemporary art].
Payne, Prof. Dr. Alina Alexandra
Villa I Tatti/Harvard University Center for Italian Renaissance Studies, Italy
Fachgebiet: Art history
Gastgeber: Prof. Dr. Gerhard Wolf MPI - Kunsthistorisches Institut in Florenz
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Alina Alexandra Payne: From Ornament To Object - Genealogies of Architectural Modernism. New Haven, London: Yale University Press, 2012, 334 pp.
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Alina Alexandra Payne: Teofilo Gallaccini - Selected Writings and Library. Firenze: Leo S. Olschki Editore, 2012, 412 pp.
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Alina Alexandra Payne: The Telescope And The Compass. Firenze: Leo S. Olschki Editore, 2012, 240 pp.
Rajarajan, Dr. Raju Kalidos Kesava
Jawaharlal Nehru University, India
Fachgebiet: Art studies, art(s)
Gastgeber: Prof. Dr. Adalbert J. Gail Freie Universität Berlin
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R.K.K. Rajarajan: Rock-cut Model Shrines in Early Indian Art. New Delhi: Sharada Publishing House, 2012, 180 pp. [Cave temples, Indian Art, Iconography].
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R.K.K. Rajarajan: Aihole Revisited. In: Annali - Università Degli Studi Di Napoli “L’Orientale”. 72.1/4, 2012, p. 211 - 222 [Medieval Art, Aihole, Karnataka, Temple Architecture].
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R.K.K. Rajarajan: Antiquity of the Vaiṣṇava divyakśētras in Pāṇḍinādu. In: Acta Orientalia, Societates Orientales Danica Fennica Norvegia Svecia. 73, 2012, p. 59 - 104 [Divydesam, Hindu Temple, Tamil Literature, Visnu].
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R.K.K. Rajarajan: Dance of Ardhanārī. A Historiographical Retrospection. In: Glimpses of Indian History and Art. Reflections on the Past, Perspectives for the Future. (Ed. In Tiziana Lorenzetti and Fabio Scialpi eds.) Roma: SAPIENZA Università Editrice, 2012, p. 233 - 270 [Hindu Iconography, Tamil Literature, Savism, ].
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R.K.K. Rajarajan: From Pallava to Vijayanagara-Nāyaka – Perspectives in the Iconography of Koṭukoṭṭi. In: South Indian History Congress Annual Proceedings XXXII, . XXXII, 2012, p. 816 - 19.
Rovelli, Dr. Federica
Beethoven-Archiv, Germany
Fachgebiet: General musicology
Gastgeber: Prof. Dr. Bernhard R. Appel Beethoven-Archiv
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Federica Rovelli: La classificazione degli strumenti musicali di Hornbostel e Sachs (Appendix). In: Gli strumenti musicali. (Ed. Fabrizio Della Seta) Roma: Carocci, 2012, p. 163 - 169 Original author: Erich Moritz von Hornbostel, Kurt Sachs (Italienisch).
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Federica Rovelli: The Rondos of Beethoven’s Sonata opus 53. Compositional Process and Formal Conception. In: Bonner Beethoven Studien. 10, 2012, p. 121 - 138.
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Federica Rovelli: Contrast or Return? Monothematicism in the Late 18th Century Instrumental Rondo. In: Mozart Studien. 21, 2012, p. 107 - 126.
Scheideler, Dr. Ullrich
Humboldt-Universität zu Berlin, Germany
Fachgebiet: History of music
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Ullrich Scheideler: Between Archaism and Modernism: Tonality in Music for Amateurs in Germany around 1930. In: Tonality 1900 - 1950. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 203 - 222.
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Ullrich Scheideler
Felix Wörner
Philip Rupprecht: Introduction. In: Tonality 1900-1950. Concept and Practice. (Ed. Felix Wörner
Ullrich Scheideler
Philip Rupprecht) Stuttgart: Franz Steiner Verlag, 2012, p. 11 - 22 [music theory
tonality].
Taylor, Dr. Benedict
University of Edinburgh, United Kingdom
Fachgebiet: General musicology
Gastgeber: Prof. Dr. Hermann Danuser Humboldt-Universität zu Berlin
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Benedict Taylor, Albert Gier, Meinhard Saremba : Sullivan Perspektiven: Arthur Sullivans Opern, Kantaten, Orchester- und Sakralmusik. Essen: Oldib-Verlag, 2012, 372 pp.
Thorau, Prof. Dr. Christian
Universität Potsdam, Germany
Fachgebiet: General musicology
Gastgeber: Prof. Dr. Karol Berger Stanford University
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Christian Thorau: Vom Klang zur Metapher. Hildesheim: Georg Olms Verlag, 2012, 287 pp.
Wörner, Dr. Felix
Universität Basel, Switzerland
Fachgebiet: General musicology
Gastgeber: Prof. Dr. Karol Berger Stanford University
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Felix Wörner: Constructive and Destructive Forces: Ernst Kurth's Concept of Tonality. In: Tonality 1900 - 1950. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 125 - 142.
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Felix Wörner, Ullrich Scheideler, Philip Rupprecht (ed.): Tonality 1900-1950. Concept and Practice. Stuttgart: Steiner, 2012, 276 pp. [Tonality, 20th Century, music theory, music analysis].
Joseph H. Auner: Weighing, Measuring, Embalming Tonality: How we Became Phonometrographers. In: Tonality 1900-1950 - Concept and Practice. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 25 - 46.
Horst Bredekamp: Leibniz und die Revolution der Gartenkunst; Herrenhausen, Versailles und die Philosophie der Blätter. Berlin: Verlag Klaus Wagenbach, 2012, 165 pp.
Mark Delaere: "Autant de compositeurs, autant de polytonalités différentes": Polytonality in French Music Theory and Composition of the 1920s. In: Tonality 1900-1950 - Concept and Practice. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 157 - 172.
Elena Filippi, Stefan Hasler, Harald Schwaetzer: Raffaels Sixtinische Madonna. Eine Vision im Dialog. Münster: Aschendorff Verlag, 2012, 204 pp. [Art History, Renaissance Studies, Theology].
Rebecca Groves: William Forsythe and the Practice of Choreography: It Starts from Any Point (review). In: Dance Research Journal. 44.2, 2012, p. 117 - 121 [contemporary dance, choreography, research in the arts, performance, William Forsythe, ballet].
Soichiro Itoda: Ogai Mori — Der Literat hinter der Bühne. (Engekijōri no shijin Mori Ogai — wakakihi no engeki gekijōron wo yomu) (Jap.). Tokyo: Keio University Press , 2012, [Theaterreform in 1880er Jahren in Tokyo und München, Goethes- und Immermanns Theaterreform, Bühnensprache].
Soichiro Itoda: Ogai Mori — Der Literat hinter der Bühne. (Engekijōri no shijin Mori Ogai — wakakihi no engeki gekijōron wo yomu) (Jap.). Tokyo: Keio University Press , 2012, [Theaterreform in 1880er Jahren in Tokyo und München, Goethes- und Immermanns Theaterreform, Bühnensprache].
Soichiro Itoda: Ogai Mori — Der Literat hinter der Bühne. (Engekijōri no shijin Mori Ogai — wakakihi no engeki gekijōron wo yomu) (Jap.). Tokyo: Keio University Press , 2012, [Theaterreform in 1880er Jahren in Tokyo und München, Goethes- und Immermanns Theaterreform, Bühnensprache].
Denis Lomtev: Deutsche in der musikalischen Infrastruktur Russlands. Lage (Westf.): BMV Verlag Robert Burau, 2012, 264 pp. [Deutsche; Russland; Infrastruktur; Verlagswesen; Musikvereine; Musikinstrumentenbau].
Christoph Neidhöfer: "Berio at Work: Compositional Procedures in Circles, O King, Concerto for Two Pianos, Glossa, and Notturno". In: Luciano Berio: Nuove Prospettive / New Perspectives. (Ed. Angela Ida De Benedictis) Florence: Leo S. Olschki, 2012, p. 195 - 233 [Musical analysis, sketch studies, musical serialism, Darmstadt School].
Samantha Owens: Robert Dalley-Scarlett (1887–1959) and Handel Reception in Australia between the World Wars. In: Musicology Australia. 34, 2012, p. 165 - 183.
Dimitri Ozerkov: Jake and Dinos Chapman, End of Fun. Exhibition catalogue. London - St. Petersburg, 2012, 176 pp. [contemporary art].
Alina Alexandra Payne: From Ornament To Object - Genealogies of Architectural Modernism. New Haven, London: Yale University Press, 2012, 334 pp.
Alina Alexandra Payne: Teofilo Gallaccini - Selected Writings and Library. Firenze: Leo S. Olschki Editore, 2012, 412 pp.
Alina Alexandra Payne: The Telescope And The Compass. Firenze: Leo S. Olschki Editore, 2012, 240 pp.
R.K.K. Rajarajan: Rock-cut Model Shrines in Early Indian Art. New Delhi: Sharada Publishing House, 2012, 180 pp. [Cave temples, Indian Art, Iconography].
R.K.K. Rajarajan: Aihole Revisited. In: Annali - Università Degli Studi Di Napoli “L’Orientale”. 72.1/4, 2012, p. 211 - 222 [Medieval Art, Aihole, Karnataka, Temple Architecture].
R.K.K. Rajarajan: Antiquity of the Vaiṣṇava divyakśētras in Pāṇḍinādu. In: Acta Orientalia, Societates Orientales Danica Fennica Norvegia Svecia. 73, 2012, p. 59 - 104 [Divydesam, Hindu Temple, Tamil Literature, Visnu].
R.K.K. Rajarajan: Dance of Ardhanārī. A Historiographical Retrospection. In: Glimpses of Indian History and Art. Reflections on the Past, Perspectives for the Future. (Ed. In Tiziana Lorenzetti and Fabio Scialpi eds.) Roma: SAPIENZA Università Editrice, 2012, p. 233 - 270 [Hindu Iconography, Tamil Literature, Savism, ].
R.K.K. Rajarajan: From Pallava to Vijayanagara-Nāyaka – Perspectives in the Iconography of Koṭukoṭṭi. In: South Indian History Congress Annual Proceedings XXXII, . XXXII, 2012, p. 816 - 19.
Federica Rovelli: La classificazione degli strumenti musicali di Hornbostel e Sachs (Appendix). In: Gli strumenti musicali. (Ed. Fabrizio Della Seta) Roma: Carocci, 2012, p. 163 - 169 Original author: Erich Moritz von Hornbostel, Kurt Sachs (Italienisch).
Federica Rovelli: The Rondos of Beethoven’s Sonata opus 53. Compositional Process and Formal Conception. In: Bonner Beethoven Studien. 10, 2012, p. 121 - 138.
Federica Rovelli: Contrast or Return? Monothematicism in the Late 18th Century Instrumental Rondo. In: Mozart Studien. 21, 2012, p. 107 - 126.
Ullrich Scheideler: Between Archaism and Modernism: Tonality in Music for Amateurs in Germany around 1930. In: Tonality 1900 - 1950. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 203 - 222.
Ullrich Scheideler Felix Wörner Philip Rupprecht: Introduction. In: Tonality 1900-1950. Concept and Practice. (Ed. Felix Wörner Ullrich Scheideler Philip Rupprecht) Stuttgart: Franz Steiner Verlag, 2012, p. 11 - 22 [music theory tonality].
Benedict Taylor, Albert Gier, Meinhard Saremba : Sullivan Perspektiven: Arthur Sullivans Opern, Kantaten, Orchester- und Sakralmusik. Essen: Oldib-Verlag, 2012, 372 pp.
Christian Thorau: Vom Klang zur Metapher. Hildesheim: Georg Olms Verlag, 2012, 287 pp.
Felix Wörner: Constructive and Destructive Forces: Ernst Kurth's Concept of Tonality. In: Tonality 1900 - 1950. (Ed. Felix Wörner, Ullrich Scheideler, Philip Rupprecht) Stuttgart: Franz Steiner, 2012, p. 125 - 142.
Felix Wörner, Ullrich Scheideler, Philip Rupprecht (ed.): Tonality 1900-1950. Concept and Practice. Stuttgart: Steiner, 2012, 276 pp. [Tonality, 20th Century, music theory, music analysis].
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