| 2014 | Timothy O. Benson (ed.): Expressionism in Germany and France: From Van Gogh to Kandinsky. DelMonico/Prestel and The Los Angeles County Museum of Art, 2014 |
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| 2014 | Timothy O. Benson,Laird M. Easton, Claudine Grammont, Cathérine Hug, Georg Baselitz, Robert Menasse, Frauke Josenhans, Katherine Kuenzli, Peter Kropmanns, Magdalena M. Moeller, Sherwin Simmons.: Expressionismus in Deutschland und Frankreich: Von Matisse zum Blauen Reiter. Prestel with the Kunsthaus Zurich, 2014 |
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| 2014 | Timothy O. Benson (ed.): LExpressionisme en Allemange et en France de Van Gogh à Kandinsky. DelMonico/Prestel with the Musée des beaux-arts de Montréal, 2014 |
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| 2013 | Timothy O. Benson: Hans Richter: Encounters. DelMonico/Prestel 2013 |
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| 2013 | Timothy O. Benson: Two Phases of European Internationalism. In: Hubert F. van den Berg, Lidia Głuchowska Transnationality, Internationalism and Nationhood: European Avant-Garde in the First Half Of The 20th Century. Peeters, 2013. 1-21 |
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| 2011 | Timothy O. Benson: Brücke, French art and German national identity. In: Christian Weikop New Perspectives on Brücke Expressionism: Bridging History. Ashgate, 2011. 31-55 |
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| 2011 | Timothy O. Benson: Kriegszeit: German Artists and the Great War. In: Marion Deshmukh, Barbara Gaehtgens, Francoise Forster-Hahn, Max Liebermann: Art and International Modernism: An Artist's Career from Empire to Third Reich. Berghahn Books, 2011. 171-184 |
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| 2010 | Timothy O. Benson: Central European Modernisms. In: Peter Brooker, Andrzej Gasiorek, Deborah Parsons, Andrew Thacker The Oxford Handbook of Modernisms. Oxford University Press, 2010. 817-836 |
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| 2006 | Timothy O. Benson: Mapping Culture in Central Europe: Dada and Devětsil. In: Vojtěch Lahoda, Local Strategies International Ambitions: Modern Art in Central Europe, 1918-1968. Artifactum, Institute of Art History, Academy of Sciences of the Czech Republic, 2006. 171-182 |
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| 2006 | Timothy O. Benson: Nomadic Modernism: The Search for an International Art. In: Jacek Purchla, Wolf Tegethoff, Nation, style, modernism [proceedings of the international conference under the patronage of Comite international d'histoire de l'art (CIHA), Cracow, 6-12 September, 2003]. Zentralinstitut für Kunstgeschichte and the International Cultural Centre, 2006. 125-142 |
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| 2005 | Timothy O. Benson: Wie französisch ist die deutsche Kunst? Der Fall Brücke. In: Jahrbuch der Staatliche Kunstsammlungen Dresden, Special Issue,100 Jahre Brücke Neueste Forschung, 2005, 53-59 |
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| 2002 | Timothy O. Benson, ed.: !Avantgarden! in Mitteleuropa 1910-1930: Transformation und Austausch. E. A. Seemann, 2002 |
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| 2002 | Timothy O. Benson: - Einführung -. In: Timothy O. Benson, central european avant-gardes: exchange and transformation, 1910 - 1930. Museum Associates, County Museum of Art, 2002. 12-21 |
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| 2002 | Timothy O. Benson and Éva Forgács, eds. Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930. MIT Press, 2002 |
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| 2001 | Timothy O. Benson: Fantasy and Fuctionality: The Fate of Utopia. In: Timothy O. Benson, Expressionist Utopias - Paradise - Metropolis - Architectural - Fantasy. Museum Associates, Los Angeles County Museum of Art, 2001. 12-55 |
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| 1998 | Timothy O. Benson: Abstraction, Autonomy, and Contradiction in the Politicization of the Art of Hans Richter. In: Stephen C. Foster, Prophet of Modernism: Hans Richter, 1911-1941. MIT, 1998. 16-46 |
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| 1995 | Timothy O. Benson, Clifford Ackley, Victor Carlson: Emil Nolde: The Painter's Prints.. Museum of Fine Arts 1995 |
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| 1987 | Timothy O. Benson: Raoul Hausmann and Berlin Dada. UMI Research Press, 1987 |
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