| 2015 | David Barnett: A History of the Berliner Ensemble. Cambridge University Press, 2015 |
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| 2014 | Prof. Dr. David Julian Barnett: Brecht in Practice: Theatre, Theory and Performance. Bloomsbury, 2014 |
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| 2011 | David Julian Barnett: Brechtian Theory as Practice: The Berliner Ensemble stages Der Messingkauf in 1963. In: Theatre, Dance and Performance Training, 2011, 4-17 |
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| 2010 | David Julian Barnett: Christoph Marthaler: The Musicality, Theatricality and Politics of Postdramatic Direction. In: Delgado, Maria and Rebellato, Dan, Contemporary European Theatre Directors. Routledge, 2010. 185-203 |
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| 2010 | David Julian Barnett: I have to change myself instead of interpreting myself. Heiner Müller as Post-Brechtian Director. In: Contemporary Theatre Review, 2010, 6-20 |
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| 2006 | David Julian Barnett: Bühnenbusiness: Mensch, Markt und Management in drei neuen deutschen Theaterstücken. In: David Barnett, Moray McGowan, Karen Jürs-Munby, Das Analoge sträubt sich gegen das Digitale? Materialitäten des deutschsprachigen Theaters in einer Welt des Virtuellen. Theater der Zeit, 2006. 56-70 |
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| 2005 | David Julian Barnett: Rainer Werner Fassbinder and the German Theatre. Cambridge University Press, 2005 |
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| 2004 | David Julian Barnett: The Simulation of a Reception. Or: Rainer Werner Fassbinder's Der Muell, die Stadt und der Tod in Germany, Holland, and Israel. In: Contemporary Theatre Review, 2004, 29-40 |
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| 2003 | David Julian Barnett: Text as Material? The Category of 'Performativity' in Three Postdramatic German Theatre-Texts. In: Carolin Duttlinger, Lucia Ruprecht and Andrew Webber, Performance and Performativity in German Cultural Studies. Peter Lang, 2003. 137-157 |
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| 2003 | David Julian Barnett: `'Da draussen sind Hunderte von solchen wie Sie einer sind'. The Triumph of the Market and the Persistence of Dialectics in Urs Widmer's Top Dogs'. In: Forum Modernes Theater, 2003, 153-164 |
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