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Profil
| Derzeitige Stellung | Professor W-3 und Äquivalente |
|---|---|
| Fachgebiet | Theaterwissenschaft und Medienwissenschaften,Afrikanistik |
| Keywords | Development Communication, Media Arts, Theatre, Social Application, Nigeria |
| Auszeichnungen | 2017: Fellow, Society of Nigerian Theatre Artists (SONTA) 2009: Association of Nigerian Authors (ANA) / NDDC J.P. Clark Award for Drama for the Play Hope Harvesters. 2001: Swiss Society for African Studies & FIFA Literary Competition for original short story, ‘Over the Bar’. Zurich, Switzerland. 2000: VIII. Deutscher Akamischer Austauschdients (DAAD) Scholarship 1994: Commonwealth Academic Staff Fellowship, U.K. 1991: Nigerian National Youth Service Corps (NYSC) State Commendation Award, Anambra / Enugu States 1990: Jack Tilley Gyado (Scholastic) Prize for the Best Graduating Actor, University of Jos |
Aktuelle Kontaktadresse
| Land | Nigeria |
|---|---|
| Ort | Lafia |
| Universität/Institution | Federal University Lafia |
| Institut/Abteilung | Faculty of Arts |
Gastgeber*innen während der Förderung
| Prof. Dr. Susan Arndt | Professur Englische Literaturwissenschaft und Anglophone Literaturen, Universität Bayreuth, Bayreuth |
|---|---|
| Prof. Dr. Victor S. Dugga | Faculty of Arts, Federal University Lafia, Lafia |
| Prof. Dr. Cecile Sandten | Institut Anglistik / Amerikanistik, Technische Universität Chemnitz, Chemnitz |
| Beginn der ersten Förderung | 01.03.2013 |
Programm(e)
| 2012 | Georg Forster-Forschungsstipendien-Programm für erfahrene Forschende |
|---|
Publikationen (Auswahl)
| 2017 | Victor S. Dugga: Tracking the Absence of Theorizing Applied Theater in Africa. In: Victor N. Gomia and Gil S. Ndi Re-Writing Pasts and Reimagining Futures: Critical Explorations of Contemporary African Fiction and Theater.. Spears Media Press, 2017. |
|---|---|
| 2017 | Victor S. Dugga: Where Have all the Flowers Gone? Literary Theory and the Radical Movement in African Theatre. In: Theory of Literature and Theory of the Arts and Humanities: Wiener Slawistischer Almanach Sonderbach Leipzig: Biblion Media GmbH, 2017, 287-304 |
| 2016 | Victor S. Dugga: Horses and Aesthetic Objects in Durbar. In: Adeniyi Olagunju, Durbar in Northern Nigeria. Art Heritage Limited, 2016. |
| 2014 | Victor S. Dugga, Folarin Shyllon, Emmanuel Dandaura, Christopher Odhiambo, Mufunanji Magalasi, Nath Mayo Adediran: Establishment of the On-going Cooperation Activities Between The European Union and Africa with Regards to Cultural Goods, 2013.. African Union, 2014 |
| 2013 | Victor S. Dugga: From the Ivory Towers to the Lungus: The Paradigm of Ahmadu Bello University Drama Programme.. In: Samuel T. Kafewo Tor J. Iorapuu and Emmanuel S. Dandaura, Theatre Unbound: Reflections on Theatre for Development and Social Change. SONTA/ABU Press, 2013. 62-72 |
| 2010 | Segun Adedeji, Pakinaz Baraka, Victor S. Dugga and Stephen Odebero: Private Financing as Means to Improve Access to Higher Education in Africa. In: Sabine OHara, Higher Education in Africa: Equity, Access, Opportunity. . Institute of International Education, 2010. |
| 2009 | Victor S. Dugga: Theatre in Health Education. In: M. Prendergast and J. Saxton, Applied Theatre: International Case Studies and Challenges for Practice. Intellect Books, 2009. |
| 2008 | Victor S. Dugga: A Window on Africa: Changing Cultures and Peoples. DAT & Partners, 2008 |
| 2006 | Victor S. Dugga: Rethinking Training Imperatives in Nigerian University Theatre. In: Nigerian Theatre Journal , 2006, |
| 2006 | Victor S. Dugga: The Yoruba Roots of A Dance of the Forests and Death and the Kings Horseman. In: Anjali Gera Roy, Wole Soyinka: An Anthology of Recent Criticism. Pencraft International, 2006. 71-84 |
| 2004 | Victor S. Dugga: Insiders and Outsiders: Perspectives of Influences on the Study of African Literature. In: New Directions in African Writing: The Literary Criterion Vol. XXXIX, 2004, 5-14 |
| 2002 | Victor S. Dugga: Creolisations in Nigerian Theatre. Bayreuth African Studies Series, 2002 |
| 2002 | Victor S. Dugga: Development Agenda Versus Peoples Agenda: Theatre Diplomacy in Rural Central Nigeria. In: Bjorn Rasmussen and Anna-Lena Østern, Playing Between and Betwixt: The IDEA Dialogues 2001. IDEA Publications, 2002. 107-113 |
| 2002 | Victor S. Dugga: Icons and Metaphors in African Theatre against HIV/AIDS . In: NJ Drama Australia Journal, 2002, 63-72 |