| 2015 | Dr. Pavel Skopal: Barrandovs Co-productions: The Clumsy Way to Ideological Control, International Competitiveness and Technological Improvement. In: Pavel Skopal
Lars Karl, Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia
1945-1960. Berghahn Books, 2015. 89-106 |
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| 2015 | Pavel Skopal
Kyrill Kunakhovich: Cinema Cultures of Integration: Film Distribution and Exhibition in the GDR and Czechoslovakia from the perspective of Two Local Cases, 1945-1960. In: Pavel Skopal
Lars Karl, Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia 1945-1960. Berghahn Books, 2015. 275-314 |
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| 2015 | Pavel Skopal (ed.)
Lars Karl (ed.): Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia 1945-1960. Berghahn Books, 2015 |
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| 2014 | Pavel Skopal: Filmová kultura severního trojúhelníku. Filmy, kina a diváci českých zemí, NDR a Polska 1945-1970. Host, 2014 |
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| 2014 | Pavel Skopal: Kriegsgeschichten von Liebenden und Nationen. Internationale Romanzen in drei Co-Produktionen der späten 1950er-Jahre. In: Lars Karl, Dietmar Müller, Katharina Siebert, Der lange Weg nach Hause. Konstruktionen von Heimat im europäischen Spielfilm. Metropol, 2014. 154-168 |
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| 2013 | Pavel Skopal: Reisende in Sachen Genre - von Barrandov nach Babelsberg und zurück. Zur bedeutung von tschechischen Regisseuren für die Genrefilmproduktion der DEFA in den 1960er und 1970er Jahren. In: Michael Wedel, Barton Byg, Andy Räder, Skyler Arndt-Bryggs, Evan Torner, DEFA international: Grenzüberschreitende Filmbeziehungen vor und nach dem Mauerbau. Springer VS, 2013. 249-266 |
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| 2013 | Pavel Skopal: The (Restored) Practice of DEFA Co-productions with the Normalized Czechoslovak Film Studio in the 1970s. In: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 2013, 189-199 |
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| 2011 | Pavel Skopal: The Cinematic Shapes of the Socialist Modernity Program: Ideological and Economic Parameters of the Cinema Distribution in the Czech Lands, 1948-1970. In: Daniel Biltereyst - Richard Maltby - Philippe Meers, Cinema, Audiences and Modernity: European Perspectives on Film Cultures and Cinema-going. Routledge, 2011. 81-98 |
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| 2011 | Pavel Skopal: It is not enough we have lost the war now we have to watch it! Cinemagoers attitudes in the Soviet occupation zone of Germany (a case study from Leipzig).. In: Participations. Journal of Audience and Reception Studies, 2011, 497-521 |
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| 2009 | Pavel Skopal: Do You Deserve to See the DVD Trailer? Fans, Franchise Familiars, and the Rhetoric of the Star Wars DVD Trailers. In: Andrzej Gwóźdź, Film als Baustelle. Das Kino und seine Paratexte . Schüren, 2009. 147-162 |
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| 2007 | Pavel Skopal: The Adventures Continues on DVD Franchise Movies As Home Video. Convergence. In: Convergence. The Journal of Research into New Media Technology, 2007, 185-198 |
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| 2 | Pavel Skopal: etters to the Heroes: Exhibition and reception of Hanzelka and Zikmunds travelogues in Czechoslovakia of the 1950s. In: Participations. Journal of Audience and Reception Studies, 2, 58-77 |
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