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Profil
| Derzeitige Stellung | Professor W-3 und Äquivalente |
|---|---|
| Fachgebiet | Musikwissenschaften |
| Keywords | Richard Wagner, Music Theory and Analysis, Musical Form, Nineteenth-Century Music, Second Viennese School |
| Auszeichnungen | 2025: University of Toronto Faculty of Music Teaching Award 2020: Jack Westrup Prize 2019: Roland Jackson Award 2018: Wallace Berry Award 2013: Mart. J. Lürssen Prize |
Aktuelle Kontaktadresse
| Land | Kanada |
|---|---|
| Ort | Toronto |
| Universität/Institution | University of Toronto |
| Institut/Abteilung | Faculty of Music |
Gastgeber*innen während der Förderung
| Prof. Dr. Dr. h.c. Hermann Danuser | Musikwissenschaftliches Seminar, Humboldt-Universität zu Berlin, Berlin |
|---|---|
| Beginn der ersten Förderung | 01.05.2011 |
Programm(e)
| 2010 | Humboldt-Forschungsstipendien-Programm für Postdocs |
|---|
Publikationen (Auswahl)
| 2025 | Steven Vande Moortele: Form. In: Ariane Jeßulat, Oliver Schwab-Felisch, Jan-Philipp Sprick, and Christian Thorau, Handbuch musikalische Analyse. Methode und Pluralität. Bärenreiter - Metzler, 2025. 67–82 |
|---|---|
| 2025 | Steven Vande Moortele: Scena, Form and Drama in Act 1 of Die Walküre. In: Steven Vande Moortele, Wagner Studies. Cambridge University Press, 2025. 93-111 |
| 2023 | Steven Vande Moortele, Jeroen Billiet: 'Curieusement écrit, mais horriblement exécuté’: Gilsons Petite Suite in de context van de Belgische hoornschool. Paul Gilson: Een Brusselse Componist van de Wereld. ASP Editions, 2023. 265-77 |
| 2023 | Steven Vande Moortele: An den Grenzen der Sonatenform. In: Musiktheorie, 38, 2023, 113-28 |
| 2021 | Steven Vande Moortele: Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century. In: Music Analysis, 40, 2021, 501-533 |
| 2021 | Steven Vande Moortele: Romantic Forms. In: Benedict Taylor, The Cambridge Companion to Music and Romanticism. Cambridge University Press, 2021. 258-76 |
| 2020 | Steven Vande Moortele: Expansion and Recomposition in Mendelssohn’s Symphonic Sonata Forms. In: Benedict Taylor, Rethinking Mendelssohn. Oxford University Press, 2020. 210–35 |
| 2020 | Steven Vande Moortele: Robert Schumann: Szenen aus Goethes Faust. Leuven University Press, 2020 |
| 2019 | Steven Vande Moortele: The Sorcerer as Apprentice: Trial, Error, and Chord Magic in Wagner’s Die Feen. In: Music & Letters, 100, 2019, 1-23 |
| 2019 | Steven Vande Moortele: The Subordinate Theme in the First Movement of Schubert’s ‘Unfinished’ Symphony. In: Music Theory & Analysis, 6, 2019, 223-29 |
| 2017 | Steven Vande Moortele: Murder, Trauma, and the Half-Diminished Seventh Chord in Schoenberg’s ‘Song of the Wood Dove’. In: Music Theory Spectrum, 39, 2017, 66-82 |
| 2017 | Steven Vande Moortele: The Romantic Overture and Musical Form from Rossini to Wagner. Cambridge University Press, 2017 |
| 2015 | Steven Vande Moortele: The Philosopher as Theorist: Adorno’s ‘materiale Formenlehre’. In: Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin, Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno. University of Rochester Press, 2015. 411-33 |
| 2015 | Steven Vande Moortele: Turning Inward—Turning Outward—Turning Around: Strong Subordinate Themes in Romantic Overtures. In: Res Musica, 6, 2015, 9-31 |
| 2014 | Steven Vande Moortele: Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert’s String Quintet, D. 956. In: Music Analysis, 33, 2014, 130-55 |
| 2013 | Steven Vande Moortele: Form, Narrative and Intertextuality in Wagner's Overture to 'Der fliegende Holländer'. In: Music Analysis, 2013, 46-79 |
| 2013 | Steven Vande Moortele: In Search of Romantic Form. In: Music Analysis, 2013, |
| 2013 | Steven Vande Moortele: ‘Two-Dimensional’ Symphonic Forms: Schoenberg’s Chamber Symphony, Before, and After. In: Julian Horton, The Cambridge Companion to the Symphony. Cambridge University Press, 2013. 268-84 |
| 2011 | Steven Vande Moortele: Sentences, Sentence Chains, and Sentence Replication: Intra- and Interthematic Functions in Liszts Weimar Symphonic Poems. In: Intégral, 2011, 121-158 |
| 2009 | Steven Vande Moortele: The First Movement of Beethoven’s Tempest Sonata and the Tradition of Twentieth-Century ‘Formenlehre’. In: Pieter Bergé, William E. Caplin, Jeroen D'hoe, Beethoven’s Tempest Sonata: Perspectives of Analysis and Performance . Peeters, 2009. 293-314 |
| 2009 | Steven Vande Moortele: Two-Dimensional Sonata Form: Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg, and Zemlinsky. Leuven University Press, 2009 |
| 2008 | Steven Vande Moortele: Beyond Sonata Deformation: Liszt’s Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form. In: Current Musicology, 86, 2008, 41-62 |
| 2007 | Steven Vande Moortele: Form as Context: Zemlinsky’s Second String Quartet and the Tradition of Two-Dimensional Sonata Form. In: Michael Frith, Zemlinsky Studies. Middlesex University Press, 2007. 99-111 |
| 2006 | Steven Vande Moortele: Form, Program, and Deformation in Liszt’s Hamlet. In: Dutch Journal of Music Theory, 11, 2006, 71-82 |
| 2006 | Steven Vande Moortele: ‘Absolut nicht symphonisch?’ Schönbergs Fünf Orchesterstücke und die Gattungskonventionen der Symphonie. In: Musik & Ästhetik, 10, 2006, |
| 2004 | Steven Vande Moortele: Analysing the Unanalysable: An Analytical Approach to Schoenberg’s The Obligatory Recitative.. In: Dutch Journal of Music Theory, 9, 2004, 105-14 |
| 2003 | Steven Vande Moortele: Ist das Vierte von Schönbergs Fünf Orchesterstücken ein Scherzo?. In: Revue belge de musicologie, 57, 2003, 173-83 |