| 2019 | Salgaro Massimo: Historical introduction to the special issue on literariness . In: SSOL Scientific Study of Literature, 2019, 5-17 |
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| 2018 |
Salgaro, M.; Sorrentino, P-; Lauer, G.; Lüdtke, J; Jacobs, A. How to measure the social prestige of a Nobel Prize in Literature? Development of a scale assessing the literary value of a text . In: TXTThe book Issue , 2018, 138-148 |
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| 2018 | Rebora S., Salgaro M.: Is Late Style measurable? A stylometric analysis of Johann Wolfgang Goethes, Robert Musils, and Franz Kafkas late works. In: Elephant&Castle, 2018, 4-39 |
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| 2018 | Rebora S., Salgaro M. Measuring the Critical Distance. A Corpus-Based Analysis of Italian Book Reviews . Book of abstract: Cultural Heritage in the Digital Age. Memory, Humanities and Technologies . Associazione per l'Informatica Umanistica e la Cultura digitale, 2018. 161-164 |
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| 2018 | Salgaro M.: Natural Selection in a Worldwide Economic Crisis: The Extinction of Homo Oeconomicus in Rebekka Kricheldorf's Homo Empathicus . In: Oxford German Studies , 2018, 541-560 |
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| 2018 | Rebora, Simone; Herrmann, Berenike; Lauer, Gerhard; Salgaro, Massimo Robert Musil, a war journal, and stylometry: Tackling the issue of short texts in authorship attribution. In: DIGITAL SCHOLARSHIP IN THE HUMANITIES, 2018, 1-24 |
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| 2018 | Salgaro M: THE DIGITAL HUMANITIES AS A TOOLKIT FOR LITERARY THEORY: THREE CASE STUDIES OF THE OPERATIONALIZATION OF THE CONCEPTS OF LATE STYLE, AUTHORSHIP ATTRIBUTION, AND LITERARY MOVEMENT . In: Iperstoria, 2018, 50-60 |
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| 2018 | Salgaro M, Van Tourhout B. Why Does Frank Underwood Look at Us? Contemporary Heroes Suggest the Need of a Turn in the Conceptualization of Fictional Empathy . In: Journal of Literary Theory , 2018, 345-368 |
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| 2014 | Massimo Salgaro (ed.): Robert Musil in der Klagenfurter Ausgabe. Bedingungen und Möglichkeiten einer digitalen Edition. Fink, 2014 |
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| 2012 | Massimo Salgaro: Robert Musil teorico della ricezione. Contiene il saggio inedito La psicotecnica e la sua possibilità di applicazione nellesercito. Peter Lang, 2012 |
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