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Profil
| Derzeitige Stellung | Professor W-2 und Äquivalente |
|---|---|
| Fachgebiet | Theater- und Medienwissenschaften,Wissenschaftsgeschichte |
| Keywords | media history, performance studies, history of science and knowledge, cultural history, theatre history |
| Auszeichnungen | 2022: Promising Researcher of ELTE Award |
Aktuelle Kontaktadresse
| Land | Ungarn |
|---|---|
| Ort | Budapest |
| Universität/Institution | Eötvös Lorand University |
| Institut/Abteilung | Department of Comparative Literature |
Gastgeber*innen während der Förderung
| Prof. Dr. Peter W. Marx | Institut für Medienkultur und Theater, Universität zu Köln, Köln |
|---|---|
| Beginn der ersten Förderung | 01.02.2020 |
Programm(e)
| 2019 | Humboldt-Forschungsstipendien-Programm für Postdocs |
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Publikationen (Auswahl)
| 2024 | Kornelia Deres: Performing Womanhood and Carefare in Hungary. In: Theatre Research International, 49, 2024, 95-100 |
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| 2022 | Kornelia Deres: Community and Invisible Work at the Szkéné Collective: Methodological Questions on Researching Amateur Theatres during the 1960s and 1970s. In: Theatron, 16, 2022, 28-42 |
| 2022 | Kornelia Deres: Informant Romeo, Leaked Yorick: Documentary Theatre, Re-Enactment and the Opening of Archives. Prae Publishing, 2022 |
| 2022 | Kornelia Deres: Popular Entertainment and New Images in Nineteenth-century Theatre. In: A. Farkas and G. Körömi, New Results in the Research of Theatre and Drama (17th-19th century). Líceum Publisher, 2022. 197-206 |
| 2021 | Kornelia Deres: Emerging Postdramatic Aesthetics and Shakespeare in Hungarian Theatre. In: Theatralia, 24, 2021, 105-120 |
| 2020 | DERES, KORNÉLIA: Archival Practices of Suspicion: Remains in Secret Reports, Self-Documentation and Oral Histories. In: Theatre Research International, 45, 2020, 308–314 |
| 2020 | Kornelia Deres: From State Security to Security State: Performing Control and Claustrophobia in Hungarian Theatre. In: New Theatre Quarterly, 36, 2020, 320-331 |