Dr. habil. Kornelia Deres

Profil

Derzeitige StellungProfessor W-2 und Äquivalente
FachgebietTheater- und Medienwissenschaften,Wissenschaftsgeschichte
Keywordsmedia history, performance studies, history of science and knowledge, cultural history, theatre history
Auszeichnungen

2022: Promising Researcher of ELTE Award

Aktuelle Kontaktadresse

LandUngarn
OrtBudapest
Universität/InstitutionEötvös Lorand University
Institut/AbteilungDepartment of Comparative Literature

Gastgeber*innen während der Förderung

Prof. Dr. Peter W. MarxInstitut für Medienkultur und Theater, Universität zu Köln, Köln
Beginn der ersten Förderung01.02.2020

Programm(e)

2019Humboldt-Forschungsstipendien-Programm für Postdocs

Publikationen (Auswahl)

2026Kornélia Deres: A Central European Magic Professor: Dissolving Views, Stage Magic, and other Lantern Practices by Ludwig Döbler. In: Kurt Vanhoutte, Eleonora Paklons, Evelien Jonckheere and Leen Engelen, Spectacles of Light: The Magic Lantern as Popular Entertainment, 1810-1930. Brepols, 2026. pp 105-126
2026Kornélia Deres: Performances and trajectories of magnetism in nineteenth-century Budapest. In: Eleonora Paklons, Kristof Smeyers, Kurt Vanhoutte, Hannah Welslau, Performing Magnetism: The Theatrics of Persuasion in the Long Nineteenth Century. Leuven University Press, 2026. pp. 27-40
2024Kornelia Deres: Performing Womanhood and Carefare in Hungary. In: Theatre Research International, 49, 2024, 95-100
2022Kornelia Deres: Popular Entertainment and New Images in Nineteenth-century Theatre. In: A. Farkas and G. Körömi, New Results in the Research of Theatre and Drama (17th-19th century). Líceum Publisher, 2022. 197-206
2021Kornelia Deres: Emerging Postdramatic Aesthetics and Shakespeare in Hungarian Theatre. In: Theatralia, 24, 2021, 105-120
2020DERES, KORNÉLIA: Archival Practices of Suspicion: Remains in Secret Reports, Self-Documentation and Oral Histories. In: Theatre Research International, 45, 2020, 308–314
2020Kornelia Deres: From State Security to Security State: Performing Control and Claustrophobia in Hungarian Theatre. In: New Theatre Quarterly, 36, 2020, 320-331