Zum Inhalt springen
- {{#headlines}}
- {{title}} {{/headlines}}
Profil
| Derzeitige Stellung | Professor W-1 und Äquivalente |
|---|---|
| Fachgebiet | Theater- und Medienwissenschaften |
| Keywords | Performance, Geographies and Experience, Orientalism, Cold War and Theatrical Exchanges, Theatre/performance as Worksite of Democracy, Intercultural theatre/performance, Theatre/performance exchanges and democracy |
| Auszeichnungen | 2022: Alexander von Humboldt Experienced Researcher Fellow, University of Cologne 2019: Erasmus+ Programme Swagata I (Staff Mobility for Teaching) at the University of Cologne. Duration: 9 days. June. 2019: Fellow in Research Area 2 "Travelling Matters" in the Cluster of Excellence Project, Travelling Matters: Doing Literature in a Global Perspective¸ Freie University, Berlin. Topic of Research: “Globality and the Aesthetics of the Left in Germany and India”. Duration: 2 weeks (May 15-31, 2019) 2017: Faculty Research Fellow, at Freie University, as part of Indo-German Partnership in Higher Education UGC-DAAD. Duration: April 30-May 31. 2011: James Pendleton Foundation Prize, School Wide Award for Academic Research by The School of Theater, Film and Television, University of California Los Angeles. 2008: Chancellor's Prize, University of California Los Angeles. |
Aktuelle Kontaktadresse
| Land | Indien |
|---|---|
| Ort | New Delhi |
| Universität/Institution | Jawaharlal Nehru University |
| Institut/Abteilung | School of Arts and Aesthetics |
Gastgeber*innen während der Förderung
| Prof. Dr. Peter W. Marx | Institut für Medienkultur und Theater, Universität zu Köln, Köln |
|---|---|
| Dr. Ameet Parameswaran | School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi |
| Beginn der ersten Förderung | 01.05.2022 |
Programm(e)
| 2021 | Humboldt-Forschungsstipendien-Programm für erfahrene Forschende |
|---|
Publikationen (Auswahl)
| 2025 | Ameet Parameswaran, Rahul Dev: To be Partisan, Unsettled, and Alert: Conversation with Geeta Kapur. In: Geeta Kapur, Speech Acts. Tulika Books, 2025. 166-181 |
|---|---|
| 2024 | ameet parameswaran: Activations of the Threshold: Rhythms of Radical Alienness in Aravindan’s Thampu. In: Performance Research: A Journal of the Performing Arts, 28, 2024, 89-97 |
| 2024 | ameet parameswaran: Book Review: Brutal Beauty: Aesthetics and Aspiration in Urban India. By Jisha Menon. Evanston, IL: Northwestern University Press, 2021. Pp. 248. $99.95 Hb; $34.95 Pb. . In: Theatre Research International, 49, 2024, 237-238. |
| 2024 | ameet parameswaran: Der Kalte Krieg, politisches Theater und das Max Mueller Bhavan: Hansgünther Heymes Antigone in Calcutta (1979) und eine Residenz avant la lettre. In: Stefan Keppler-Tasaki, Alexandra Ksenofontova and Jutta Müller-Tamm, Writing in Residence: Globale Literaturproduktion in deutschen Residenzprogrammen. De Gruyter, 2024. 69-92 |
| 2024 | ameet parameswaran: The Indiscreet Charm of Left Nostalgia: Reeking Redolence in the Contemporary. In: Bishnupriya Dutt and Silvija Jestrovic, Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World. Manchester University Press, 2024. 163-179 |
| 2022 | ameet parameswaran: Book Review: Daphne P. Lei, Charlotte McIvor, eds. (2020) The Methuen Drama Handbook of Interculturalism and Performance. In: European Journal of Theatre and Performance, 2022, 638-645 |